Table of Contents

Introduction: Images and Imaginaries - Christian Rogowski
Richard Oswald and the Social Hygiene Film: Promoting Public Health or Promiscuity? - Jill Suzanne Smith
Unsettling Nerves: Investigating War Trauma in Robert Reinert's Nerven (1919) -
Humanity Unleashed: Anti-Bolshevism as Popular Culture in Early Weimar Cinema - Philipp Stiasny
Desire versus Despotism: The Politics of Sumurun (1920), Ernst Lubitsch's "Oriental" Fantasy - Richard W. McCormick
Romeo with Sidelocks: Jewish-Gentile Romance in E. A. Dupont's Das alte Gesetz (1923) and Other Early Weimar Assimilation Films - Cynthia Walk
"These Hands Are Not My Hands": War Trauma and Masculinity in Crisis in Robert Wiene's Orlacs Hände (1924) - Anjeana Hans
The Star System in Weimar Cinema - Joseph Garncarz
Schaulust: Sexuality and Trauma in Conrad Veidt's Masculine Masquerades - Elizabeth Otto
The Musical Promise of Abstract Film - Joel Westerdale
The International Project of National(ist) Film: Franz Osten in India - Veronika Fuechtner
The Body in Time: Wilhelm Prager's Wege zu Kraft und Schönheit (1925) -
Henrik Galeen's Alraune (1927): The Vamp and The Root of Horror -
The Dialectic of (Sexual) Enlightenment: Wilhelm Dieterle's Geschlecht in Fesseln (1928) - Christian Rogowski
Babel's Business - On Ufa's Multiple Language Film Versions, 1929-1933 - Chris Wahl
"A New Era of Peace and Understanding":The Integration of Sound Film into German Popular Cinema, 1929-1932 - Ofer Ashkenazi
Landscapes of Death: Space and the Mobilization Genre in G. W. Pabst's Westfront 1918 (1930) - Jaimey Fisher
Undermining Babel: Victor Trivas's Niemandsland (1931) - Nancy P. Nenno
Unmasking Brigitte Helm and Marlene Dietrich: The Vamp in German Romantic Comedies (1930-33) -
Filmography
Notes on the Contributors
Index

About the Author

Anjeana K. Hans is Associate Professor of German Studies at Wellesley College. JILL SUZANNE SMITH is Associate Professor of German at Bowdoin College.

Reviews

An important contribution to the literature on Weimar cinema, originally published in 2010, now available in an economical paperback edition. . . . The editor, Christian Rogowski . . . places in focus not the canonical films of the time like Caligari, Nosferatu, or Metropolis, but instead important films of the 'second rank' and specific thematic connections. . . . Almost all the essays are conceived and formulated at a high level and make visible connections between film and society in the Weimar period. The approximately sixty images are helpful to the reader. . . .
*HANS-HELMUT PRINZLER, WWW.HHPRINZLER.DE*

[A]n enormously important and didactically helpful intervention . . . . [The book] lives up to the promise of its title and should soon become mandatory reading for everyone interested in new perspectives on Weimar Cinema.
*FILMBLATT*

The chapters excel in historically contextualizing their respective films.
*MONATSHEFTE*

Goes beyond a mere reevaluation of film classics in matters of film and topic selection. . . . The essays offer readers fresh perspectives on . . . a cornucopia of undiscovered or relatively unknown filmic gems, paired with long overdue approaches of media studies . . . . [I]t genuinely rediscovers Germany's filmic legacy.
*GERMAN STUDIES REVIEW*

[T]he scholars' excitement about exploring this hitherto uncharted territory is palpable and infectious. The balance of theoretical scaffolding and ambitious storytelling make the articles . . . perfectly suited for undergraduates and should find ample use in film classes...[and] indeed should inspire more classes on the early years of German cinema.
*WOMEN IN GERMAN NEWSLETTER*

Rogowski's outstanding collection moves beyond the familiar canon to reevaluate the diverse legacy of Weimar film...[P]rovide[s] new social, historical, and aesthetic contexts for understanding Weimar cinema and introduce[s] readers to less-familiar popular, abstract, documentary, and genre films.
*CHOICE*

A bold attempt at expanding the field and revising the standard literature. . . . on a formerly neglected set of films and topics. A detailed filmography provides useful information on availability.
*TIMES LITERARY SUPPLEMENT*