Ottessa Moshfegh is a fiction writer from New England. Eileen, her first novel, was shortlisted for the National Book Critics Circle Award and the Man Booker Prize, and won the PEN/Hemingway Award for debut fiction. My Year of Rest and Relaxation and Death in Her Hands, her second and third novels, were New York Times bestsellers. She is also the author of the short story collection Homesick for Another World and a novella, McGlue. She lives in Southern California.
“As vivid and human as they come. . . . Moshfegh, whose novella,
McGlue, was published last year, writes beautiful sentences. One
after the other they unwind—playful, shocking, wise, morbid, witty,
searingly sharp. The beginning of this novel is so impressive, so
controlled yet whimsical, fresh and thrilling, you feel she can do
anything. . . . There is that wonderful tension between wanting to
slow down and bathe in the language and imagery, and the impulse to
race to see what happens, how it happens.” —New York Times Book
Review
“The great power of this book, which won the PEN/Hemingway debut
fiction award last month, is that Eileen is never simply a literary
gargoyle; she is painfully alive and human, and Ottessa Moshfegh
writes her with a bravura wildness that allows flights of
expressionistic fantasy to alternate with deadpan matter of
factness. . . . As an evocation of physical and psychological
squalor, Eileen is original, courageous and masterful.” —The
Guardian
“If Jim Thompson had married Patricia Highsmith—imagine that
household—they might have conspired together to dream up something
like Eileen. It’s blacker than black and cold as an icicle. It’s
also brilliantly realised and horribly funny.” —John Banville
“[A] dark and unnerving debut.” —Publishers Weekly
“It is in that gritty, claustrophobic atmosphere that Ms.
Moshfegh’s talents are most apparent. This young writer already
possesses a remarkably sighted view into the bleakest alleys of the
psyche.” —Wall Street Journal
“Wonderfully unsettling first novel. . . . When the denouement
comes, it’s as shocking as it is thrilling. Part of the pleasure of
the book (besides the almost killing tension) is that Eileen is
mordantly funny . . . this tale belongs to both the past and future
Eileen, a truly original character who is gloriously unlikable,
dirty, startling—and as ferociously human as the novel that bears
her name.” —San Francisco Chronicle
“Rife with dark emotions and twisted fantasies, Moshfegh's
psychological thriller is the sinister account of the reclusive
Eileen, whose prospects for escape from her abysmal life take a
turn for the worse when a friendship with a coworker spirals into
obsession.” —Oprah.com
“Eileen swaddles the reader in its dark and sinister mood.
Moshfegh's brilliant storytelling builds an almost sadistic level
of suspense, so that you can't help but lean in and listen to the
narrator, however despicable and repulsive her confession becomes.”
—Sarah Hollenbeck, co-owner of Women & Children First bookstore,
Chicago
“Eileen is a singular read, dark and funny and full of oft-queasy
truths, ones that may at first seem strange and disturbing, but
then are not so far away from our own internal thoughts. Eileen is
quiet, awkward and lonely. As Christmas approaches, she is
desperate to leave her alcoholic father, her dismal home life and
her mind-numbing job at a boys’ correctional facility. Enter her
glamorous “new friend” Rebecca and suddenly Eileen is set on a path
towards inevitable change, a suspenseful ride to the end.
Atmospheric, cinematic, and deliciously uncomfortably
heartwarmingly pathetic in the best of ways.” —Melinda Powers,
Bookshop Santa Cruz (also sent in to Indie Next)
“Eileen is unlike anything I've read since, maybe, Patricia
Highsmith: a wholly captivating look at a character you're drawn
towards in a strange, inexplicable alliance and from whom you can't
easily part. I find myself thinking about it still, months later,
in the most unexpected ways. Mosfegh has a way with the kind of
imagery that brings her world into terrible, precise emotional
focus, and the book builds like a slow avalanche. What a pleasure
to read!” —Camden Avery, The Booksmith, San Francisco
“Charmingly disturbing. Delightfully dour. Pleasingly perverse.
These are some of the oxymorons that ran through my mind as I read
Eileen, Ottessa Moshfegh's intense, flavorful, remarkable new
novel. 'Funny awful' might be another one. I marveled at myself for
enjoying the scenes I was witnessing, and wondered what dark magic
the author had employed to make me smile at them.” —NPR.org
“Tempting plot machinations aside, you should be reading Moshfegh
because she writes incredible sentences, the kind that build and
build to create a warped momentum you can’t brake. They create a
harsh, blackly humorous world, like Mary Gaitskill, but less grave
and with more jokes.” —Gawker
“Like The Woman Upstairs and Notes on a Scandal, Eileen turns on
the symbiotic relationship between love and hate, hope and
delusion, and—for the reader—repulsion and absolute absorption.”
—New York Magazine
"The climax of Eileen is bizarre, creepy and oddly satisfying. This
novel does not fit neatly into a single genre. Its protagonist is
unlikable but fascinating, and ultimately sympathetic. It is a
masterly psychological drama that lingers, with a disquieting
effect, in the reader's mind.” —Newsday
“The attention that is now greeting Moshfegh’s first novel is not
undeserved. Eileen is a remarkable piece of writing, always dark
and surprising, sometimes ugly and occasionally hilarious. Its
first-person narrator is one of the strangest, most messed-up, most
pathetic—and yet, in her own inimitable way, endearing—misfits I’ve
encountered in fiction. Trust me, you have never read anything
remotely like Eileen.” —Washington Post
“Her best work yet. . . . What makes Moshfegh an important
writer—and I'd even say crucial—is that she is unlike any other
author (male, female, Iranian, American, etc.). And this sui
generis quality is cemented by the singular savage suburban noir of
"Eileen." She tries relentlessly to pull you away and out, not
unlike her own self-destructive characters, who seem a bit addicted
to their own repulsiveness. Moshfegh's palettes are big and small,
fictional realms that are often vague in a way that makes them
allegorical almost, universal in their blurriness and yet at the
same time meticulously rendered with specific details. And she
often does this with little attention to theme. Her fiction offers
a sense that is of our world but also altogether hostile to clear
distillation of it. Here is art that manages to reject artifice and
yet be something wholly new and itself in sheer artistry.” —The Los
Angeles Times
“The young heroine—if you can call her that—of Ottessa Moshfegh’s
chilling debut is exactly the kind of woman whom noir authors
tended to summarily ignore. Think of her as a Flannery O’Connor
character wandering around a Raymond Chandler novel. . . . Moshfegh
uses that carefully constructed foundation to build a truly
shocking ending, one you’ll never see coming. It’s hard to believe
she’s a first-time novelist, so skillfully has she grafted
disparate genre elements onto one another: psychological suspense,
horror, obsession, and madness. Eileen is as twisted, dark, and
unexpected as its title character.” —Entertainment Weekly
“Excellent debut novel. . . . How will Eileen get out of X-ville?
Can she leave unscathed? Why does she keep talking about her
father’s gun? Though readers will thoroughly delight in the way the
answers unfold, they will be left with one lingering question: What
will Ottessa Moshfegh do next?” —Boston Globe
“In this masterful feat of suspense writing, she captures the
distortions and complicities that poison families.” —BBC.com
“Eileen is a highbrow noir that introduces Ottessa Moshfegh as a
talent to look out for.” —Bustle
“If Shirley Jackson and Mary Gaitskill had a literary daughter, it
might be Ottessa Moshfegh, whose unnerving debut is sure to garner
attention.” —Bookpage
“Enormously entertaining and funny. . . . A beautiful novel that
tells the truth.” —Bookforum
“Literary psychological suspense at its best.” —Booklist (starred
review)
“A woman recalls her mysterious escape from home in this taut,
controlled noir about broken families and their proximity to
violence. . . . The narrative masterfully taunts. . . . The
release, when it comes, registers a genuine shock. And Moshfegh has
such a fine command of language and her character that you can miss
just how inside out Eileen's life becomes in the course of the
novel, the way the "loud, rabid inner circuitry of my mind"
overtakes her. Is she inhumane or self-empowered? Deeply unreliable
or justifiably jaded? Moshfegh keeps all options on the table. . .
. A shadowy and superbly told story of how inner turmoil morphs
into outer chaos.” —Kirkus Reviews (starred review)
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