Table of Contents

Acknowledgements 1. Violet 2. Miss World 3. Asking for It 4. Credit in the Straight World 5. Softer, Softest 6. I Think That I Would Die 7. Rock Star Notes Bibliography

Promotional Information

A positive, feminist reading of Hole's landmark 1994 album and its controversial creator, Courtney Love, which explores womanhood, desire, disgust, self-destruction, survival, and fame.

About the Author

Anwen Crawford is an Australian writer. She is the music critic for The Monthly magazine, and her essays have appeared in publications including Frieze, Overland and Loops: Writing Music.

Reviews

While many may not admit to it immediately, it's probably a safe bet that your average rock fan from the ’90s keeps Hole's Live Through This in their collection. And why not? … The immensely successful 33 1/3 series from Bloomsbury examines the album track-by-track through the eyes of writer Anwen Crawford (The Monthly), giving both a historical frame of mind to the album, as well as deconstructing the themes behind seven tracks … If you haven't had a chance to experience this album, give it a listen, then give this book a read, and then give the album a second shot … it will definitely give you an appreciation for what Hole was trying to make and the impact they had on grunge.
*SLUG Magazine*

Crawford's book in the 33 1/3 series about Hole's Live Through This is passionate, thoughtful, empathetic and well-argued, an explanation of what the album meant to smart suburban teenagers trying to figure out where they fit into the world.
*The Vine*

This book made me care about an artist I had long ago written off. Yes, Courtney Love has pretty much retired from making meaningful music, but for Anwen Crawford, an Australian journalist and critic, that only makes Hole’s 1994 album Live Through This all the more compelling. As she chronicles the decisions that produced the band’s grunge-era breakthrough—which was released just days after Kurt Cobain’s suicide—Crawford writes movingly about the effect these songs had on herself and on other women around the world … In that regard, the album’s anger and ferocious self-determination haven’t diminished in two decades.
*Pitchfork*