Table of Contents

Introduction - Nicholas Perkins and David Clark
From Heorot to Hollywood: Beowulf in its Third Millennium - C S Jones
Priming the Poets: the Making of Henry Sweet's Anglo-Saxon Reader - M Atherton
Owed to Both Sides: W.H. Auden's Double Debt to the Literature of the North - Heather O'Donoghue
Writing for an Anglo-Saxon Audience in the Twentieth Century: J.R.R. Tolkien's Old English Chronicles - Maria Artamonova
'Wounded men and wounded trees': David Jones and the Anglo-Saxon Culture Tangle - Anna Johnson
Basil Bunting, Briggflatts, Lindisfarne, and Anglo-Saxon Interlace - Clare Lees
BOOM: Seeing Beowulf in Pictures and Print - Sian Echard
Window in the Wall: Looking for Grand Opera in John Gardner's Grendel - Allen J. Frantzen
Re-placing Masculinity: The DC Comics Beowulf Series and its Context, 1975-6 - Catherine A M Clarke
P.D. James Reads Beowulf - John Halbrooks
Ban Welondes: Wayland Smith in Popular Culture - Maria Sachiko Cecire
'Overlord of the M5': The Superlative Structure of Sovereignty in Geoffrey Hill's Mercian Hymns - Hannah J. Crawforth
The Absent Anglo-Saxon Past in Ted Hughes's Elmet - Joshua Davies
Resurrecting Saxon Things: Peter Reading, 'species decline', and Old English Poetry - Rebecca Anne Barr

About the Author

Maria Artamonova is a graduate of St Petersburg State University and holds a doctorate in Old English from the University of Oxford. She is an Oxfordshire-based translator and also teaches medieval and fantasy literature.

Reviews

[T]he editors are to be commended for producing a handsomely illustrated, rich collection.
*ENGLISH STUDIES*

This rich collection of essays looks back to the influence of Anglo-Saxon culture in nineteenth-century and modernist writers, and explores a diverse range of more contemporary 'moments of intersection between past and present'.
*MEDIUM AEVUM*

Have assembled a scholarly and unfailingly interesting foundation for a study of the impact of the Anglo-Saxon world on our own, as well as proving how much potential there is in the topic.
*ENGLISH HISTORICAL REVIEW*

The book is physically beautiful, soundly edited, and intellectually stimulating from beginning to end. [...] Any medievalist who reads this volume will surely learn something new about the reception of Anglo- Saxon culture, be surprised by the extent of this reception, and get ideas for new research in this area. [...] It is an excellent book that will hopefully make a real intellectual and institutional impact.
*ANGLIA*

The collection as a whole makes a powerful and often entertaining case for the myriad pathways by which the Anglo-Saxon past inhabits, enlivens and even transforms the cultural imagination of our present, such that we can see that it never stops informing us about what it means to 'be English'.
*TIMES HIGHER EDUCATION SUPPLEMENT*