Table of Contents

1 The Performance of Memory Part I: The Tradition of Parading 2 A Custom Established, 1690-1790 Riotous Assemblies, 3 1769-1850 4 Parading Identity, 1870-1968 Part II: Two Communities 5 The Glorious Twelfth 6 The Endless Parade 7 Our Day Will Come - Parading Irish Nationalism Part III: Displaying Faith 8 Trust in God, But Keep Your Powder Dry 9 A Nation Once Again Part IV: Painting the Streets 10 At the Going Down of the Sun 11 Hungering for Peace 12 In Conclusion

Promotional Information

Also available in hardback, 9781859731246 GBP50.00 (May, 1997)

About the Author

Neil Jarman The Queen's University of Belfast

Reviews

'An impressive work. Its concern is the role of commemorative parades, banners and wall murals in the production and reproduction of collective and social memory, and of community as the bearer and custodian of memory. Jarman is not the first to take on these topics but he has done so more comprehensively and with greater subtlety and insight than anyone to date.' Sociology 'this book offers a wide-ranging and infomative discussion of the symbolic andmaterial importance of marching in the politics of everyday life in Northern Ireland. For those uninitiated in the cultural politics of parading this book forms an invaluable guide. The variety of source material used and the clear style of the prose makes it highly readable. Material Conflicts is to be commended for its breadth of discussion...Neil Jarman's commendable study provides an essential point of departure for those who may wish to explore these issues further.' Journal of Material Culture 'An impressive work... Jarman is not the first to take on these topics, but he has done so more comprehensively and with greater subtlety and insight than anyone to date. Joseph Ruane, University College, Cork 'Clearly written and richly detailed ... An important contribution to the ethnography of the "Troubles." It also offers a very valuable "case study" for those interested in the analysis of political ritual, with special and very effective attention to the power and potential of iconography.' Anthropological Quarterly