About the Author

Virginie Despentes is a writer, filmmaker, and noted French feminist critic. She is the author of many award-winning books, including King Kong Theory, Apocalypse Baby (winner of the 2010 Prix Renaudot), and the Vernon Subutex trilogy (shortlisted for the 2018 International Booker Prize). She co-directed the screen adaptations of her controversial novels Baise-Moi and Bye Bye Blondie, and served as screenwriter for the adaptation of her novel Pretty Things.

Emma Ramadan is a literary translator. She translates from Providence, Rhode Island, where she is also co-owner of Riffraff bookstore and bar. Her translations include Sphinx and Not One Day by Anne Garréta, Monospace by Anne Parian, and The Curious Case of Dassoukine’s Trousers by Fouad Laroui. She is a recipient of a 2016 PEN/Heim Translation Fund grant for her translation from the French of Ahmed Bouanani’s The Shutters.

Reviews

"It’s pulp in every sense: propulsively readable, violent, sexy, with all the satisfaction of an inevitable ending. And yet it’s also a feminist parable, blunt and unrelenting in its wrath, and it feels as fresh now as it would have ten years ago." —The Paris Review "Chilling and wonderful, coolly presenting the raw, jagged edge of womanhood." —Publishers Weekly (starred review) "This novel shows [Despentes] at her best: It is a mean little book, wickedly funny, totally lascivious, often pornographic." —Kirkus Reviews “Despentes’s writing is propulsive, exact, and luscious, all qualities channeled by her exquisitely talented translators.”—Los Angeles Review of Books “This is an honest, gritty look into the line between owning one’s sexuality and being owned by it.” —BUST “An intoxicating pop-trash plot of stolen identity that reveals the brutal and hilarious rules of gender—the high-octane philosophy beach read of the summer.” —Joanna Walsh, author of Worlds from the Word’s End “Virginie Despentes had me in a headlock the whole time I was reading: she’s a feminist Zola for the twenty-first century.” —Lauren Elkin, author of Flâneuse: Women Walk the City “Pretty Things is the type of rare, enticing book you devour in a fever. Effortlessly cool and slyly spiky, Despentes probes the dynamics of fame, beauty, and female competition, putting her finger on the pulse of what it’s like to wear the daily drag of femininity—and then pressing down, slowly and calmly, right where it hurts.” —Alexandra Kleeman, author of You Too Can Have a Body Like Mine “Intensely visual and viscerally felt, Pretty Things is a biting commentary on the devil’s bargain of conforming to modern femininity. By the end you’re left wondering what, exactly, the end result of this game of gender is all for, and what has been lost along the way.” —Vanessa Martini, City Lights Bookstore “Throughout, the prose shines—Emma Ramadan does a terrific job translating the original French into poetic, descriptive lines. I found myself stopping over and again to admire sentences that got a lot of work done with economy. . . . Just gorgeous.” — Maximum RocknRoll