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Kazuo Terakado
is a renowned Japanese science journalist, TV commentator, and a
senior researcher at Japan Space Forum. His reportage spans a wide
range of science topics, from paleontology to space, from life
sciences to global issues, and beyond, to art, literature and
science fiction. He was the managing editor of Newton, the
immensely popular science magazine in Japan for 20 years, since the
time of the first issue in 1981. During his time at Newton, he also
published numerous science books. Over the past 40 years, he has
been covering the development of the study of dinosaurs, and during
that time he has witnessed a dramatic evolution in the world of
dinosaur art, or paleoart. This book is a collection of his
favorite works by contemporary paleoartists from around the planet.
Luis V. Rey
is a Spanish-Mexican artist. He has a master's degree in visual
arts from Academy of San Carlos, National Autonomous University of
Mexico in 1977. He began his career as a symbolist, hyperrealist
and surrealist painter and sculptor. A dinosaur fan from the age of
three, he rediscovered dinosaurs after the dinosaur renaissance in
the late 1980s. He then began to study paleontology in depth to
prepare for his updated and revised reconstructions for publication
in popular books. His work took him around the world for research
and for meetings with top paleontologists. He has co-published with
several of these experts. He is currently working with Stone
Company and Gondwana Studios creating murals for exhibitions. Zhao
Chuang
is a Chinese science artist and co-founder of PNSO, a world-class
scientific art research institution. Since 2006, Zhao Chuang's
artworks have been published in prominent academic publications
such as Nature, Science and Cell. He collaborates with dozens of
leading scientists from research institutions including the
American Museum of Natural History, the University of Chicago, and
the Chinese Academy of Sciences, the Chinese Academy of Geological
Sciences and Beijing Natural History Museum, working in their
paleontology research projects and providing artistic support for
their fossil restoration works. James Kuether
is an author, editor and illustrator. He is an award-winning artist
whose paintings and photographs hang in galleries and private
collections around the globe. He is an amateur fossil hunter and a
life-long dinosaur enthusiast. His natural history art has appeared
in numerous publications and accompanies museum displays in the
United States and Europe. His first book The Amazing World of
Dinosaurs, features more than 160 original illustrations, and was
published by Adventure/Keen in October 2016. Davide Bonadonna
has been working as a medical and scientific illustrator for more
than 15 years, combining scientific research and visual
communication. In 2007 he became a full-time paleontology
illustrator and digital sculptor, and he has won prestigious
international awards including the Lanzendorf PaleoArt Prize.
Cooperating with paleontologists worldwide on prehistoric model
reconstructions and settings, he has displayed his work in museums,
exhibits and theme parks, and has published them in scientific and
educational magazines, including National Geographic. His
illustrations are featured in the traveling exhibition "Dinosaurs
in the Flesh." Sergey Krasovskiy
a freelance paleoartist, lives in the Donbas in Ukraine. Born in
1975, he is a graduate of Lugansk Art College. He creates
paleoillustrations for a number of publishers. He has worked with a
number of paleontologists, including Christophe Hendrickx from
Portugal. Four years ago he switched to a graphics tablet for
greater time economy, but he still uses traditional art media upon
request and at times for pleasure. Rodolfo Nogueira
is a paleoartist and a graduate in industrial design. He developed
and published a scientific methodology, Paleodesign, for restoring
extinct animals. He has worked in museums in Brazil, Argentina,
Spain, the United States, Portugal, Germany and Georgia. With more
than 15 years of experience in artistic illustration and 10 years
in scientific illustration. His illustrations have been printed on
Brazilian postage stamps and in the Dinosaurs of Brazil line of
toys. He has published illustrations in textbooks, scientific
journals (Plos One, Cretaceous Research, Journal of Vertebrate
Paleontology, and others) and in magazines such as Scieintific
American , BBC and National Geographic . He has received eight
international awards including the 2015 Lanzendorf Scientific
Illustration Award. He is the creator of the characters of the
virtual reality exhibition Dinos from Brazil, and the illustrator
of the book Brazil of the Dinosaurs. He teaches in the Megafauna
Project, and he designed the spaces of the project Geopark Uberaba-
Land of the Dinosaurs of Brazil . He currently leads Prehistoric
Factory, a design company focused on scientific illustration.
Masato Hattori
was born in 1966 in Nagoya City, Japan. His long-term artistic
theme is life, which includes reconstructed images of dinosaurs and
other paleoorganisms. He has shown his works, mainly acrylic
paintings, in numerous solo and group exhibitions in Tokyo and
Nagoya. Since 2005, though, he has gradually shifted to digital
creation, and this is now his main focus. In 2013, he created
reconstructed images of two new discoveries: Aurornis xui, a newly
unearthed species of dinosaur announced in Nature; and a
Therizinosaurus nesting site in Mongolia, announced by the Society
of Vertebrate Paleontology. In 2014, he created an image of the
body of a dead dinosaur drifting under the sea in ancient times
based on remains found by Hokkaido University in Hobetsu, Hokkaido
as well as a new reconstructed image of Deinocheirus. In 2015, he
drew two other new discoveries, Nipponoolithus ramosus and
Huanansaurus ganzhouensis. Digital tools are very empowering for
drawing things like the scales on dinosaur skin, and for
retouching, which is a useful medium for interacting with
researchers. He hopes to continue creating his vivid images of
ancient creatures, based on insights gained from discussion with
researchers. Emily WIlloughby
is an American scientific illustrator best known for her
reconstructions of feathered dinosaurs, both living and extinct.
Her work has been featured in a variety of forms, online and off,
including the National Geographic Society, the Denver Museum of
Nature and Science, the Shanghai Natural History Museum, and in
various paleontological research reports in journals such as
Evolution and Nature News. Her first book, a recently released
coauthored work featuring a series of her paintings of feathered
dinosaurs, is relevant in the context of evolution/creation
controversy in the US. Emily enjoys working in a variety of media,
from digital painting to acrylics, oil, gouache and watercolor
paints to bird photography. As a result of her background in
biology, her primary focus is the fusion of research, realism and
aesthetics in artwork. Emily lives in Minneapolis, Minnesota, where
she is studying for a Ph.D. in behavior genetics. Raúl Martín
is a Spanish illustrator, born in Madrid in 1964. He has been a
professional illustrator for over 30 years and has had a deep
professional and personal interest in paleoart for the last 20
years. These years of experience and ongoing study have given him a
great deal of paleontological knowledge about fossil plants and
vertebrate and invertebrate animals, since the Mesozoic and
Palaeozoic eras are his specialty. He has worked for some of the
most prominent paleontologists, including Paul Sereno, Curry and
Kristi Rogers, Jennifer Clack, Alan Titus and Jose Luis Sanz. He
also works regularly for some of the leading scientific journals,
including Nature, Scientific American and National Geographic, and
collaborates in large scale projects for prestigious museums
worldwide. He employs both traditional and digital techniques to
achieve his realistic style. In his digital work, he avoids
artificial methods such as photo-montage and rendering, so his
digital creation process is identical to his work with traditional
medial like oil and acrylic.
"This is a gorgeous full color hardcover book that I highly recommend."--Prehistoric Times
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