Table of Contents

Preface.- Acknowledgements.- Contributors.- Part I: Overview. 1. Creative Arts, Education, and Culture in a Global Perspective. 2. National Acts for Transmission of Chinese Culture and Heritage in Arts Education. 3. Cultural Policy and the Development of Local Cultures in Hong Kong.- Part II: The Arts and Culture in Education. 4. Aesthetic Creativity: Bridging Arts, Culture and Education. 5. Theoretical Foundation for Spirituality Oriented Holistic Art Education: Integration of Eastern and Western Aesthetics. 6. The New Awareness of Canto-jazz in the Jazz Arrangement Project. 7. Popular Visual Culture in Art Education: A Group Creativity Perspective. 8. Music Composition Education in Hong Kong. 9. Transmission of Xibo Music Culture in Northwest China: Development of School-based Curriculum. 10. Teaching Traditional Music Teaching in Mainland China.- Part III: Issues of Cultural Transmission and Transformation. 11. Transmission and Transformation ofCantonese opera in Hong Kong: From School Education to Professional Training. 12. Sun Tzu’s The Art of War for Choral Leadership. 13. Transmission and Education of Hakka Folk Songs in Hong Kong: Distinctiveness and Commonality among Local, National, and Global Contexts. Living Traditions: Educational Issues and Practices of Indigenous Art in Taiwan. 14. Creative Music Culture through Vernacular Songs for Education by Different Generations. 15. Condensation of Ritual Symbolism and Visual Culture: From Chinese Liqi to Contemporary Art Expressions. 16. The Indigenous Culture of Chaozhou Xianshi Music and Diaspora Musicians in Hong Kong.

Reviews

“This volume is much more than an introduction to another culture; one gains an understanding of an emerging educational system in music and visual arts through the eyes of teachers. … Each chapter has sufficient depth that the novice reader can understand the policies and pressures which have an impact on curricula in each country.” (Richard Colwell, British Journal of Music Education (BJME), Vol. 32 (3), November, 2015)“This book offers, a range of topics related to music, complete and well researched information for teachers, students and anyone interested in music. … There is a clarity of thought and ideas throughout all the chapters in this book, and they certainly afford well researched, first-hand information to anyone wanting to know about traditional and contemporary music in Greater China.” (Sujatha Gomathinayagam, He Kupu, Vol. 3 (4), 2014)