Archaeology with Art: A short introduction to this book (Helen
Chittock and Joana Valdez-Tullett) ;
The paragone has gone (Andrew Cochrane) ;
Making carved stone balls: art, experimental practice and
archaeological research (Andrew Meirion Jones) ;
The fate of a thinking animal: the role of Upper Palaeolithic
rock-art in mediating the relationship between humans and their
surroundings (António Batarda Fernandes) ;
The rock ‘artist’: exploring processes of interaction in the rock
art landscapes of the north of Ireland (Rebecca Enlander) ;
Art, Materiality and Creativity: understanding Atlantic Rock Art
(Joana Valdez-Tullett) ;
Images and materials: The making of narrative imagery in rock art
and on metalwork (Peter Skoglund) ;
Categorising the Iron Age: Similarity and Difference in an East
Yorkshire Assemblage (Helen Chittock) ;
Imagining and Illustrating the Archaeological Record: The Power of
Evocation and ;
Augmentation of Linear Drawing (Dragoş Gheorghiu) ;
Moving, changing, becoming: applying Aristotle´s kinesis paradigm
to rock art (Andy Valdez-Tullett) ;
Experiential Art and Archaeology: Vital Material Engagements
(Eloise Govier) ;
Living Symbols of Kilmartin Glen (John Was & Aaron Watson)
Joana Valdez-Tullett is an archaeologist currently finishing a PhD
thesis at the University of Southampton, funded by the Portuguese
Foundation for Science and Technology (FCT). She has been studying
prehistoric art since 2003 in several countries and is currently
interested in the social and cultural connections of late
prehistoric Atlantic façade, which led to the widespread phenomenon
of Atlantic Rock Art. ;
Helen Chittock is an archaeologist, who has recently finished
writing a PhD thesis on decorative practices in Iron Age Britain as
the holder of an AHRCfunded Collaborative Doctoral award with the
British Museum and University of Southampton. Her wider research
interests encompass the study of Celtic Art across northwest
Europe.
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