Table of Contents

Acknowledgments Note on Transcription and Editorial Practice List of Abbreviations List of Images List of Tables Introduction Chapter 1: The Rise of Dramatic Extracting: Extracting from English Plays, 1590-1642 Chapter 2: Dramatic Extracts from Elizabethan and Stuart Masques and Entertainments Chapter 3: Theatrical Nostalgia: Dramatic Miscellanies and the Closure of the Theatres, 1642-1660 Chapter 4: Re-Presenting and Re-Reading the Renaissance: Restoration Extracts from Renaissance Plays, 1660-1700 Chapter 5: Archbishop Sancroft, Play-Reader and Collector of Dramatic Extracts Chapter 6: Proverbial Shakespeare: The Print and Manuscript Circulation of Extracts from Love's Labour's Lost Conclusion Bibliography Index of Manuscript Shelfmarks Index

About the Author

Laura Estill is assistant professor of English at Texas A&M University and editor of the World Shakespeare Bibliography.

Reviews

With this book Laura Estill establishes herself as an important scholar of book and manuscript history and an authority on the reception of English Renaissance drama to 1700. . . .These selections are most often found either in commonplace books or in more heterogeneous miscellanies. Here Estill surveys that archive as a guide for future researchers, also providing many illuminating, exemplary, and thought-provoking analyses informed by relevant scholarship. . . .This crucially important book delivers what early modern reception studies needs most: more evidence. With its command of primary and secondary sources and resourceful case studies, it points the way for future scholarship and demonstrates how that scholarship can proceed. * The Review of English Studies *
Laura Estill's new book enriches and extends scholarly interest in early modern reading practices and shows how those practices can help us understand dramatic texts of the era. Many of us were introduced to early modern reading practices through the quirks of Gabriel Harvey annotating his Livy; this left the unfortunate impression that reading was an altogether idiosyncratic art. Laura Estill's survey of dramatic extracts in the manuscripts of seventeenth-century England provides a corrective to that very singular picture. Using drama as her focusing genre, and examining an impressive array of archival materials, Estill methodically itemizes and evaluates the ways in which early readers recorded the plays of early modern England.... It is one of the many virtues of this admirable study that it encourages, even as it paves the way for, future inquiry into its rich archive. * Early Theatre *
Laura Estill's Dramatic Extracts in Seventeenth-Century English Manuscripts presents numerous new and original arguments relevant to historical manuscript and play scholarship. It is an essential read for all scholars of Shakespearian and Restoration drama, and of early scribal and print cultures of England.... Estill remains true to the body of research documents at hand, never letting barriers of access to physical material evidence at a distance impede the progress of her research: it is hard to imagine all the planning and detail-checking that Estill must have done to bring together seamlessly analysis of so many handwritten excerpt-miscellanies.... [This book] lays the groundwork for a new method of studying and editing early modern texts. * SHARP News *
With this book Laura Estill establishes herself as an important scholar of book and manuscript history and an authority on the reception of English Renaissance drama to 1700. The book defines and explores the most extensive archive pertinent to that reception history, dramatic extracts.... This crucially important book delivers what early modern reception studies needs most: more evidence. With its command of primary and secondary sources and resourceful case studies, it points the way for future scholarship and demonstrates how that scholarship can proceed. * Oxford Journals *