General editors' preface; Acknowledgements; Chronology; List of abbreviations; General introduction; Textual introduction; The Apprentice's Vade Mecum (1733); A Seasonable Examination of the Pleas and Pretensions (1735); Verses from The Gentleman's Magazine (1736); Preface to Aubin, A Collection of Entertaining Histories and Novels (1739); Aesop's Fables (1739); Letters Written to and for Particular Friends (1741); Six Original Letters upon Duelling (1765); Appendix. The Infidel Convicted (1731); Emendations; Word-division; Bibliographical descriptions of early editions; Explanatory notes; Index.
The first edition of all of the earliest known works by Samuel Richardson.
Alexander Pettit is Professor of English at the University of North Texas.
Praise for the Series: 'At last we are going to have a definitive
edition of Samuel Richardson's works and correspondence, long
overdue, for the writer who was the most influential novelist of
the eighteenth century. This ambitious project, 25 volumes of his
works and his most important literary correspondence - each volume
entrusted to a respected scholar - will illuminate all areas of
eighteenth-century studies for Richardson's oeuvre lights up the
entire century.' Ruth Perry, Ann Fetter Friedlaender Professor of
the Humanities and MacVicar Fellow, Massachusetts Institute of
Technology
Praise for the Series: 'At last, this most editorially neglected of
great writers is getting the treatment that his works and
correspondence deserve. Scholars are eager to get their hands on
the first volumes of this complete Richardson, with authoritative
texts and rich annotation prepared by a world-class team under
Keymer and Sabor's leadership. This new edition marks an epoch in
Richardson studies.' Jane Spencer, Professor of English, University
of Exeter
'Excellent …' The Times Literary Supplement
'Any reader who has fully absorbed the terrors of Pamela's marriage
or pursued to the end the intensities of Clarissa will want to read
Grandison too, and so will Jane Austen fans curious about the novel
said to have been her favorite. What awaits them is a love story
fueled by embarrassment, a forerunner to the modern romantic comedy
but also a worthy successor to Clarissa, in which the protagonists
face situations so abysmally awkward as to require of them heroic
feats of tact and moral imagination. That we now have a magisterial
scholarly edition in print is cause for celebration.' Sarah Raff,
Eighteenth-Century Studies, on The Cambridge Edition of the Works
of Samuel Richardson
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