Alice Munro grew up in Wingham, Ontario, and attended the University of Western Ontario. She has published thirteen collections of stories and a novel. During her distinguished career she has been the recipient of many awards, including two Giller Prizes, the National Book Critics Circle Award, and the Man Booker International Prize. In 2013 she was awarded the Nobel Prize for Literature. Her stories have appeared in The New Yorker, Atlantic Monthly, Harper s Magazine, The Paris Review, Granta, and many other publications, and her collections have been translated into thirteen languages. She lives in Port Hope, Canada, on Lake Ontario."
What is special about Munro s lifelong use and reuse of family
furnishings and unremarkable local landscape ? Partly it is her
exceptionally thorough and dedicated mining of the same
ingredients, which endlessly come up rich and fresh, seem never to
be used up, and however artfully shaped, feel real. . . . And there
s the heart of the magic: the voice of the speakers, and the voice
of the narrator who has them speak. From the start, Munro has been
brilliant at this, but in the late stories she has developed an
extraordinary elastic fluency, a way of moving without any apparent
effort between vividly distinctive local voices, and the sense of
someone talking to themselves, or repeating a tale, and something
more resonant and contemplative. . . . In the simplest of words,
and with the greatest of power, she makes us see and hear an
unremarkable scene we will never forget. Hermione Lee, The New York
Review of Books
A fitting, final reminder of what a stunning, subtle, and
sympathetic explorer of the heart Munro is. The Denver Post
A writer who slowly fashioned a house of fiction large enough for
both a room of her own and all of her family furnishings ensuring
that she herself had space to maneuver while others still had
plenty of space to stretch out and live. Those others include us,
her very lucky readers. Mike Fischer, The Philadelphia Inquirer
What a stunning, subtle and sympathetic explorer of the heart Munro
is. Ron Hansen, The Washington Post
Munro may have arrived at the end of her career, but her stories
keep changing as works of art tend to do . . . Even if you ve read
the stories in Family Furnishings before, they still spring
surprises large and small. . . . Because Munro s people often act
unpredictably they wind up doing things they hadn t known they were
going to do and startle themselves the stories, even on repeated
readings retain their original suspense, their sense that anything
can happen. Terrence Rafferty, The New York Times Book Review
There is simply not a better writer of short fiction alive . . .
Alice Munro may have written only short stories, but in each is the
mystery of life, the questions of existence, where the answers are
rarely answered cleanly. Tod Goldberg, Las Vegas Weekly
Munro s stories are remarkable for their evocation of places and
the people who live there, for ambiguities, their ellipses, and
their deftness. Her prose is lucid: ranging from delicacy to
forthright attack, sometimes witty, ironic. Claire Hopley, The
Washington Times
Generations to come will relish and study Family Furnishings for
clues to the fine craft and mysterious wizardry that make Munro s
stories work. It s a fitting companion to her Selected Stories
(1968-1994) a superb introduction for those new to her work, and a
reminder to longtime fans that Munro is a writer to be cherished.
Jane Ciabattari, NPR
It is no exaggeration to state that Munro s short stories are among
the finest that have ever been written. . . . She deserves her
moment in the sun especially to honor how consistently excellent
her work has been she s that rare writer who is able to match her
early career achievements and even top them in this selection drawn
from her most recent six story collections. Jenny Shank, The Dallas
Morning News
An absolute treasure . . . There is exhilarating language
chronicling frighteningly acute forays into the very human need for
links to each other. More than anything, there is always Munro s
uncanny ability to make the most horrific moments of the most
irrational dreams seem desperately and decidedly human. Steven
Whitton, The Anniston Star
Nobel prize winner Munro s literary genius for the short story form
has been widely deemed incomparable. The Canadian writer captures
those small moments that reverberate through ordinary lives in
meticulous prose. Her economy in words fashions a language that
pierces the heart. The Daily News
A top-shelf collection by Canadian Nobelist Munro, perhaps the best
writer of short stories in English today. These economical,
expertly told stories [are] near peerless, modern literary fiction
at its very best. Kirkus starred review
This extraordinary collection encompasses 24 short stories . . .
There is something deeply satisfying about finishing one story and
knowing that there are many more to savor. It is particularly
illuminating to read the stories in the context of an insightful
introduction by Jane Smiley . . . A companion volume to Selected
Stories (1968-1994), this most recent effort returns to familiar
territory for the Ontario native, but through the nuance and
generosity with which she draws each character, feels vivid and
fresh at every turn. Molly Antopol, San Francisco Chronicle
If there s literary pleasure greater than reading Alice Munro, it
must be rereading Alice Munro. Michael Upchurch, The Seattle
Times
[A] deep and constantly surprising collection. [We tend sometimes]
to see stories, and especially stories written by women, as somehow
peripheral, non-essential, when they are, in fact, the only thing
we have. This is the primary faith of Munro s writing, that these
lives, these interactions often domestic, and only occasionally
dramatic in the broadest sense matter with the weight of life and
death. David Ulin, The Los Angeles Times
A blue-ribbon collection now joining her previous Selected Stories
in presenting arguably the best of the sterling fiction this
personally and professionally unpretentious Canadian has
contributed to the world . . . In reading these stories or
rereading them, as will be the case for most of us what is
refreshingly obvious is that Munro has retained all the distinctive
characteristics and qualities that set her fiction apart from the
outset, including her apparently effortless but actually
word-perfect style, her use of family history to inform the
contemporary domestic situations she so vividly employs in her
stories, the quotidian nature of her characters and their plights
(which ultimately gives her characters their wide appeal), and the
purposeful elimination of nonessential detail to permit a novel s
worth of substance to comfortably fit into a short story s confined
space. Brad Hooper, Booklist starred review"
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