Simon O'Sullivan is Professor of Art Theory and Practice in the
Department of Visual Cultures at Goldsmiths College, University of
London. He has published two monographs with Palgrave,Art
Encounters Deleuze and Guattari- Thought Beyond
Representation(2005) andOn the Production of Subjectivity- Five
Diagrams of the Finite-Infinite Relation(2012), and is the editor,
with Stephen Zepke, of bothDeleuze, Guattari and the Production of
the New(Continuum, 2008) andDeleuze and Contemporary Art(Edinburgh
University Press, 2010). He also makes art, with David Burrows,
under the namePlastique Fantastique- and is currently working on a
collaborative volume of writings, with Burrows,
onMythopoesis-Myth-Science-Mythotechnesis- Fictioning and the
Posthuman in Contemporary Art.
Henriette Gunkel is a Lecturer in the Department of Visual Cultures
at Goldsmiths College, University of London.She is the author ofThe
Cultural Politics of Female Sexuality in South Africa(Routledge,
2010)and co-editor ofUndutiful Daughters- New Directions in
Feminist Thought and Practice(Palgrave, 2012),What Can a Body
Do?(Campus, 2010)andFrieda Grafe- 30 Filme(Brinkman & Bose, 2013).
She is currently working on a monograph on Africanist science
fictional interventions,and on two further volumes-Visual Cultures
as Time Travel, co-authored with Ayesha Hameed (Sternberg) andWe
Travel the Space Ways- Black Imagination, Fragments and
Diffractions(Duke University Press).
Ayesha Hameedis Joint Programme Leader in Fine Art and History of
Art at Goldsmiths College, University of London. Her projectBlack
Atlantishas been performed at the ICA and Showroom, London (2015);
the Oxford Programme for the Future of Cities (2015); and Edinburgh
College of Art (2015). A second project,A Rough History (of the
Destruction of Fingerprints), has been exhibited at the House of
World Cultures Berlin (2014); Kunstraum Niederoesterreich Vienna
(2015); Pavillion, Leeds (2015); and Homeworks Space Program,
Beirut (2016). Her publications include contributions toForensis-
The Architecture of Public Truth(Sternberg 2014);The Sarai
Reader(Sarai 2013);We Travel the Spaceways(Duke University Press,
forthcoming 2017) andUnsound/Undead(Univocal, forthcoming 2017).
She is also co-author, with Henriette Gunkel, ofVisual Cultures as
Time Travel(Sternberg, forthcoming 2017).
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