A richly texted tale about family and storytelling.
Shirley was born in West Kirby, near Liverpool, and studied fashion and dress design at Liverpool Art School, before continuing her studies at the Ruskin School of Drawing and Fine Art in Oxford. She then embarked on a career as a freelance illustrator in London, where she still lives today. She illustrated other writers' work, including Noel Streatfeild, Alison Uttley, Ian Seraillier, Margaret Mahy and notably Dorothy Edwards's My Naughty Little Sister series. Shirley began to write and draw her own picture books when her children were young. Her first book - Lucy and Tom's Day - was published in 1960, and she followed it with, among others, Dogger and the Alfie series. Shirley Hughes has won the Other Award, the Eleanor Farjeon Award, and the Kate Greenaway Medal for Illustration twice, for Dogger in 1977 and for Ella's Big Chance in 2003. In 2007 Dogger was voted the public's favourite Greenaway winner of all time. Shirley received an OBE in 1999 for services to Children's Literature, and a CBE in 2017. She is the first recipient of Booktrust's Lifetime Achievement Award.
Borrow an under five and snuggle up with Shirley Hughes' Abel's
Moon - full of internal rhymes and home truths
*The Times*
Shirley Hughes' longer texts are expressively illustrated and full
of rich imagery and language that will encourage more sophisticated
listeners and beginner readers
*Daily Telegraph*
Borrow an under five and snuggle up with Shirley Hughes' Abel's
Moon - full of internal rhymes and home truths * The Times
*
Shirley Hughes' longer texts are expressively illustrated and full
of rich imagery and language that will encourage more sophisticated
listeners and beginner readers * Daily Telegraph *
PreS-Gr 2 After Abel Grable returns from working out of the country, he tells his wife and sons all about his adventures. He describes camping out in jungles and taking supplies by riverboat to people in places with no electricity, with only the moon to guide the way. Because the boys love hearing these stories so much, Abel decides to record them. Finding it too noisy to work inside, he takes a table out in the yard, and writes for many hours. Then he goes off again. Using the table at which he wrote, Noah and Adam re-create their father's adventures or pretend that the table is a machine that can take them to the moon. That night, Adam realizes that the same moon is shining on him and on Abel, and on all people who love one another but can't be together. And, he imagines all the wonderful stories he will have to tell his father about his adventures. Hughes's deceptively plain writing style packs a subtle emotional wallop. Youngsters will appreciate the loving family, and enjoy the children's imaginative play. Hughes's humorous watercolor illustrations are at their best here. They effectively depict the luminous moonlight and the characters' changing feelings. They also make the little ordinary family treasures and clutter an important part of the narrative. The text and art fit beautifully together to create a moving story that can be appreciated on many levels. Anne Parker, Milton Public Library, MA Copyright 1999 Cahners Business Information.
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