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The God of Small Things
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With sensuous prose, a dreamlike style infused with breathtakingly beautiful images and keen insight into human nature, Roy's debut novel charts fresh territory in the genre of magical, prismatic literature. Set in Kerala, India, during the late 1960s when Communism rattled the age-old caste system, the story begins with the funeral of young Sophie Mol, the cousin of the novel's protagonists, Rahel and her fraternal twin brother, Estha. In a circuitous and suspenseful narrative, Roy reveals the family tensions that led to the twins' behavior on the fateful night that Sophie drowned. Beneath the drama of a family tragedy lies a background of local politics, social taboos and the tide of history‘all of which come together in a slip of fate, after which a family is irreparably shattered. Roy captures the children's candid observations but clouded understanding of adults' complex emotional lives. Rahel notices that "at times like these, only the Small Things are ever said. The Big Things lurk unsaid inside." Plangent with a sad wisdom, the children's view is never oversimplified, and the adult characters reveal their frailties‘and in one case, a repulsively evil power‘in subtle and complex ways. While Roy's powers of description are formidable, she sometimes succumbs to overwriting, forcing every minute detail to symbolize something bigger, and the pace of the story slows. But these lapses are few, and her powers coalesce magnificently in the book's second half. Roy's clarity of vision is remarkable, her voice original, her story beautifully constructed and masterfully told. First serial to Granta; foreign rights sold in France, Spain, Portugal, Germany, Italy, Finland, Norway, Sweden, Denmark, Estonia, Holland, India, Greece, Canada and the U.K. (May)

Roy's remarkable first novel opens during a "hot, brooding" May in India, with fruit ripening and the sunshine glittering sharply. The novel that unfolds is not, however, some lyrical paean to the dreamy, steamy East but rather a piercing study of childhood innocence lost, told in a voice that is witty, irreverent, at times even caustic. Twin sister and brother Rahel and Estha, born with a "single Siamese soul" though they don't look a bit alike, are at the center of a family in crisis, a family where "uncles became fathers, mothers lovers, and cousins died and had funerals." At the funeral for little Sophie Mol that fills the book's first pages, the twins and their mother must stand apart. Why they are forced to do so‘and how their implication in Sophie Mol's death drives them to rebellion and something beyond despair‘"personal despair could never be desperate enough"‘is the import of this moving and compactly written book. Highly recommended.‘Barbara Hoffert, "Library Journal"

"Offers such magic, mystery and sadness that, literally, this reader turned the last page and decided to reread it. Immediately. It's that hauntingly wonderful."-- "USA Today""Outstanding. A glowing first novel."-- "Newsweek""A splendid and stunning debut."-- "Washington Post Book World ""A novel of real ambition must invent its own language, and this one does.... A Tiger Woodsian debut." -- John Updike, " The New Yorker""The quality of Ms. Roy's narration is so extraordinary -- at once so morally strenuous and so imaginatively supple -- that the reader remains enthralled all the way through."-- "New York Times Book Review"

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