Nega Mezlekia is the author of Notes from the Hyena's Belly, winner of the Governor General's Award, and a novel, The God Who Begat a Jackal. He left Ethiopia in 1983 and is now an engineer living in Toronto.
"[A] powerful memoir . . . By skillfully interweaving personal history, politics, and Amhara fables . . . [Mezlekia] has produced the most riveting book about Ethiopia since Ryszard Kapuscinski's literary allegory The Emperor and the most distinguished African literary memoir since Soyinka's Ake appeared 20 years ago . . . Mezlekia has summoned with imaginative directness and impressive tonal range, a world of uncertainty in which politics is never just background but permeates ordinary life." --Rob Nixon, The New York Times Book Review "[Mezlekia] describes his experience as a member of a revolutionary student cell, his naive enlistment as a teen-age guerilla with the Somalis, and his survival of imprisonment, famine and near-death by firing squad with the vivid swiftness of a Stephen Crane story." --The New Yorker "Nega Mezlekia's noteworthy memoir of growing up in Ethiopia is likely to tell readers far more than they previously knew about that embattled country . . . His book is as much a survivor's tale as it is a painstaking record of a country devouring itself." --Washington Post "Notes From the Hyena's Belly is not only a memoir, it is also a vital political and social commentary about the state of affairs in Ethiopia." --African Sun Times "His memoir tells us much about Ethiopia and much more about the human capacity to survive, even to thrive, in the midst of calamity." --Boston Sunday Herald "Spirited . . . A very welcome and much-needed contribution to the literature of the continent." --Newsday "Topical, moving, and fascinating. Nega Mezlekia concentrates his mind on his nation's history as he tells his own tale in prose imbued with a sense of commitment to truth. It is the best memoir by an Ethiopian that I've ever read." --Nuruddin Farah, author of Maps and Secrets "Notes from the Hyena's Belly is a lyrical memoir and a guide to the troubled recent history of Ethiopia. Growing up in Ethiopia during the fall of the Emperor Haile Selassie (whose reign Ryszard Kapuscinski chronicled in The Emperor), Mezlekia's formative years were filled with famine, war, and tremendous social and political upheaval. Despite such troubles Mezlekia's memoir is most engaging--it sheds light not only on the violence and disorder that beset his native country, but also on the rich spiritual and cultural life of Ethiopia." --BookSense.com "A glimpse into Hell. By some feat of alchemy, Mezlekia has transformed the nightmare that was his life in Ethiopia into a gripping story. Mandatory reading for anyone trying to understand Africa today." --Eric McCormack, author of First Blast of the Trumpet Against the Monstrous Regiment of Women "A masterful narrative that steeps the reader in Ethiopian folklore, myth, theology, and philosophy, blurring the boundaries between the spiritual and material worlds. Rich in wisdom, humor, and poetry, this is not simply the story of a boy coming of age, it is a portrait of a nation and its people." --George Makana Clark, author of The Small Bees' Honey "Magical . . . What makes Nega Mezlekia's memoir such a delight is the wonderment, at crazy life and crazier fate, that informs every page." --Charles Foran, author of The Story of My Life (So Far) "Mezlekia has a born storyteller's knack for pacing, and in his musical voice he manages to convey the helter-skelter of his existence . . . A story of high drama told with aplomb." --Kirkus Reviews "In telling his life story, Mezlekia describes in rich detail the turmoil and upheaval of Ethiopia after the fall of Emperor Haile Selassie and the rise of a communist junta and its 'Red Terror.' He recalls an early childhood full of stories and myths, with which he salts his accounting of biographical and historical specifics. As he matured and realized the injustices of Ethiopia's feudalism, he joined youth rebellions seeking reform." --Vanessa Bush, Booklist "Born in 1958, the year he calls 'the year of paradox, ' Mezlekia has written an intriguing book about growing up in Jigiga, Ethiopia. Full of adventure, political struggle, and intrigue, his memoir works as a coming-of-age story as well as a glimpse into a world of political corruption and change that Westerners rarely get to know so intimately. Mezlekia writes, 'We children lived like the donkey, careful not to wander off the beaten trail and end up in the hyena's belly.' --Barbara O'Hara, Free Library of Philadelphia, Library Journal "He treats the chaos and famine that enveloped his country with seriousness and style--even while recounting famine and war, he never loses the wit that no doubt helped him to survive some of the worst humanity has to offer." --Publishers Weekly
Born in 1958, the year he calls "the year of paradox," Mezlekia has written an intriguing book about growing up in Jigiga, Ethiopia. Full of adventure, political struggle, and intrigue, his memoir works as a coming-of-age story as well as a glimpse into a world of political corruption and change that Westerners rarely get to know so intimately. Mezlekia writes, "We children lived like the donkey, careful not to wander off the beaten trail and end up in the hyena's belly." He describes the careful divisions in dress, language, and culture between Muslims and Christians and brings them to life through vivid portraits of the people who populated his landscape. Mustafa and Ms. Yetaferu, two permanent houseguests, provide beautiful insight into these two religious and cultural stances in life. Mustafa's business adventures and Ms. Yetaferu's religious ceremonies stand in contrast to each other, creating a dynamic household. Mezlekia's tales of the spiritual and religious beliefs are some of the most fascinating parts of his life. He honors us with the telling of this rich story. Highly recommended for all libraries.DBarbara O'Hara, Free Lib. of Philadelphia Copyright 2001 Cahners Business Information.
"[A] powerful memoir . . . By skillfully interweaving personal history, politics, and Amhara fables . . . [Mezlekia] has produced the most riveting book about Ethiopia since Ryszard Kapuscinski's literary allegory The Emperor and the most distinguished African literary memoir since Soyinka's Ake appeared 20 years ago . . . Mezlekia has summoned with imaginative directness and impressive tonal range, a world of uncertainty in which politics is never just background but permeates ordinary life." --Rob Nixon, The New York Times Book Review "[Mezlekia] describes his experience as a member of a revolutionary student cell, his naive enlistment as a teen-age guerilla with the Somalis, and his survival of imprisonment, famine and near-death by firing squad with the vivid swiftness of a Stephen Crane story." --The New Yorker "Nega Mezlekia's noteworthy memoir of growing up in Ethiopia is likely to tell readers far more than they previously knew about that embattled country . . . His book is as much a survivor's tale as it is a painstaking record of a country devouring itself." --Washington Post "Notes From the Hyena's Belly is not only a memoir, it is also a vital political and social commentary about the state of affairs in Ethiopia." --African Sun Times "His memoir tells us much about Ethiopia and much more about the human capacity to survive, even to thrive, in the midst of calamity." --Boston Sunday Herald "Spirited . . . A very welcome and much-needed contribution to the literature of the continent." --Newsday "Topical, moving, and fascinating. Nega Mezlekia concentrates his mind on his nation's history as he tells his own tale in prose imbued with a sense of commitment to truth. It is the best memoir by an Ethiopian that I've ever read." --Nuruddin Farah, author of Maps and Secrets "Notes from the Hyena's Belly is a lyrical memoir and a guide to the troubled recent history of Ethiopia. Growing up in Ethiopia during the fall of the Emperor Haile Selassie (whose reign Ryszard Kapuscinski chronicled in The Emperor), Mezlekia's formative years were filled with famine, war, and tremendous social and political upheaval. Despite such troubles Mezlekia's memoir is most engaging--it sheds light not only on the violence and disorder that beset his native country, but also on the rich spiritual and cultural life of Ethiopia." --BookSense.com "A glimpse into Hell. By some feat of alchemy, Mezlekia has transformed the nightmare that was his life in Ethiopia into a gripping story. Mandatory reading for anyone trying to understand Africa today." --Eric McCormack, author of First Blast of the Trumpet Against the Monstrous Regiment of Women "A masterful narrative that steeps the reader in Ethiopian folklore, myth, theology, and philosophy, blurring the boundaries between the spiritual and material worlds. Rich in wisdom, humor, and poetry, this is not simply the story of a boy coming of age, it is a portrait of a nation and its people." --George Makana Clark, author of The Small Bees' Honey "Magical . . . What makes Nega Mezlekia's memoir such a delight is the wonderment, at crazy life and crazier fate, that informs every page." --Charles Foran, author of The Story of My Life (So Far) "Mezlekia has a born storyteller's knack for pacing, and in his musical voice he manages to convey the helter-skelter of his existence . . . A story of high drama told with aplomb." --Kirkus Reviews "In telling his life story, Mezlekia describes in rich detail the turmoil and upheaval of Ethiopia after the fall of Emperor Haile Selassie and the rise of a communist junta and its 'Red Terror.' He recalls an early childhood full of stories and myths, with which he salts his accounting of biographical and historical specifics. As he matured and realized the injustices of Ethiopia's feudalism, he joined youth rebellions seeking reform." --Vanessa Bush, Booklist "Born in 1958, the year he calls 'the year of paradox, ' Mezlekia has written an intriguing book about growing up in Jigiga, Ethiopia. Full of adventure, political struggle, and intrigue, his memoir works as a coming-of-age story as well as a glimpse into a world of political corruption and change that Westerners rarely get to know so intimately. Mezlekia writes, 'We children lived like the donkey, careful not to wander off the beaten trail and end up in the hyena's belly.' --Barbara O'Hara, Free Library of Philadelphia, Library Journal "He treats the chaos and famine that enveloped his country with seriousness and style--even while recounting famine and war, he never loses the wit that no doubt helped him to survive some of the worst humanity has to offer." --Publishers Weekly
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