Table of Contents

1. Introduction: Museum as Process Raymond A. Silverman 2. Indigenous Ontologies, Digital Futures: Plural Provenances and the Kwakwaka’wakw Collection in Berlin and Beyond Aaron Glass 3. Wampum Unites Us: Digital Access, Interdisciplinarity and Indigenous Knowledge—Situating the GRASAC Knowledge Sharing Database Heidi Bohaker, Alan Ojiig Corbiere and Ruth B. Phillips 4. Projectishare.com: Sharing Our Past, Collecting for the Future Jennifer Shannon 5. Open Access Versus the Culture of Protocols Howard Morphy 6. The Veracity of Form: Transforming Knowledges and their Forms in the Purari Delta of Papua New Guinea Joshua A. Bell 7. Translating Knowledge: Uniting Alutiiq People With Heritage Information Sven Haakanson, Jr. 8. From Entangled Objects to Engaged Subjects: Knowledge Translation and Cultural Heritage Regeneration Lea S. McChesney 9. The Price of Knowledge and the Economies of Heritage in Zuni, New Mexico Gwyneira Isaac 10. Public History in Alexandra: Facing the Challenges of Tourism and Struggle Heroization Noor Nieftagodien 11. The Culture Bank: Micro-Credit, Living Objects and Community Development in West Africa Todd Vincent Crosby 12. Locating Culture with/in a Ghanaian Community Raymond A. Silverman 13. Communities and Museums—Equal Partners? Sheila Watson 14. Challenging Museum Sustainability: Governance, Community Participation and the Fickle Political Climate in Southern Luzon (Philippines) Towns Ana Maria Theresa P. Labrador 15. Ko Tawa: where are the glass cabinets? Paul Tapsell 16. The Interrogative Museum Ivan Karp and Corinne A. Kratz

About the Author

Raymond Silverman is Professor of History of Art and Afroamerican & African Studies and founding Director of the Museum Studies Program at the University of Michigan.