ACKNOWLEDGMENTS ix NOTE ON ABBREVIATIONS xi CHAPTER ONE The City of Words: Speech in the Athenian Polis 3 Speech and the Construction of Civic Identity 8 Speech in the neater of Dionysus 15 The Silence of Athenian Women 19 Women as Speakers in Athenian Drama 24 Summary of Chapters 29 CHAPTER TWO Gender and Verbal Genres in Ancient Greece 32 Ancient Observations about Women's Speech 38 Lamentation 40 Aischrologia 47 Choruses of Girls and Women 52 Gossip and Volubility 56 Seductive Persuasion 62 Conclusion 68 CHAPTER THREE Logos Gunaikos: Speech and Gender in Aeschylus' Oresteia 70 The Male Chorus as Internal Audience 72 Gender and Performance: Clytemnestra's Shifting Verbal Genres 73 Clytemnestra's Binding Song 80 The Lament of Cassandra 92 Clytemnestra's Heroic Speech and the Feminized Chorus 97 Speech and Gender in the Choephori 100 Orestes and judicial Speech 104 Women's Speech in the Pairs: The Eumenides 105 Conclusion 111 CHAPTER FOUR At the House Door: Phaedra and the Politics of Reputation 112 Phaedra's Concern for Reputation 116 Eros and Illusion: Aphrodite's Prologue 119 Hippolytus and the Language of Prayer 121 Women's Traffic in Speech.- The Chorus 123 Phaedra's Shameful Speech 125 Eros and Rhetoric: Phaedra's Great Speech 127 The Nurse's Charm of Speech 135 Hippolytus' Invective against Women 142 The Agon and judicial Discourse 146 The Song of Girls and the Laments of Men 153 Conclusion 157 CHAPTER FIVE Women's Wordy Strife: Gossip and Invective in Euripides' Andromache 158 The Status of Speech in the Andromache 161 Spartan Women and Their Speech 164 Hermione's False Accusations 168 Female Nature on Trial: The First Agon 170 The Male Intruder: The Second Agon 183 Helen and the Education of Women: The Third Agon 186 Hermione's Invective against Women 193 Slander: The Male Disease 198 Rescuing Marriage: Peleus and Thetis 201 Conclusion 203 CHAPTER SIX Obscenity, Gender, and Social Status in Aristophanes' Thesmophoriazusae and Ecclsiazusae 205 Gender and Comic Obscenity 206 Ritual and the Origins of Comic Obscenity 215 Comic Masculinity: The Relative in the Thesmophoriazusae 218 Rendering the Female: The Relative's Flawed Performance 226 Rhetoric and Obscenity at the Thesmophoria 228 The Scythian Archer and the Recovery of Masculinity 235 A Female Rhetor: Praxagora in the Ecclesiazusae 236 Blepyrus' Scatological Obscenity 246 Speech in the Gynaecocracy 248 The Speech of Older Women 253 Conclusion 258 CHAPTER SEVEN Conclusion 260 BIBLIOGRAPHY 265 INDEX 285
Spoken Like a Woman is excellently grounded in recent work on social history, in particular on the social regulation of women's speech in classical Athens. The discussions of individual plays are original and illuminating. The book will be indispensable reading for those researching women in Greek drama or gender in ancient literature. -- Edith Hall, Somerville College, Oxford
Laura McClure is Associate Professor of Classics at the University of Wisconsin-Madison.
A useful, occasionally provocative overview of the politics of gendered diction. Choice
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