Table of Contents

Series Editor's Foreword Acknowledgments List of Abbreviations Introduction: Borrowing and Early Music Honey Meconi 1. A Cultural Context for the Chanson Mass M. Jennifer Bloxam 2. Ockeghem and Intertextuality: A Composer Interprets Himself Murray Steib 3. The Illusion of Allusion Jenny Hodgson 4. Interpreting and Dating Josquin's Missa Hercules dux ferrariae Christopher Reynolds 5. Habsburg-Burgundian Manuscripts, Borrowed Material, and the Practice of Naming Honey Meconi 6. Aspects of Musical Borrowing in the Polyphonic Missa de feria of the Fifteenth and Sixteenth Centuries Andrew H. Weaver 7. Mid-Sixteenth-Century Chanson Masses: A Kaleidoscopic Process Cathy Ann Elias 8. Melodic Citation in the Sixteenth-Century Motet Michele Fromson Bibliography Contributors Index

About the Author

Honey Meconi is Associate Professor of Music at Rice University. She resides in Houston.