Contributors: Judith H. Anderson, Mary Blackstone, Matthias Bauer, Marshall Grossman, Julian Lamb, Catherine Gimelli Martin, David Lee Miller, Jennifer Pacenza, Jeanne Shami, Anita Gilman Sherman, Douglas Trevor, Jennifer C. Vaught, Angelika Zirker
Centring on cross-fertilization between the writings of Shakespeare and Donne, examines relationships that are broadly cultural, theoretical, and imaginative
Judith H. Anderson is Chancellor’s Professor of English Emeritus
at Indiana University. Her books include Words That Matter:
Linguistic Perception in Renaissance English; Translating
Investments: Metaphor and the Dynamic of Cultural Change in
Tudor-Stuart England (Fordham); and Reading the Allegorical
Intertext: Chaucer, Spenser, Shakespeare, Milton (Fordham).
Jennifer C. Vaught is Jean- Jacques and Aurore Labbé Fournet /
Board of Regents Professor of English at the University of
Louisiana at Lafayette. She is the author of Masculinity and
Emotion in Early Modern English Literature (2008) and Carnival and
Literature in Early Modern England (2012); she is also the coeditor
of Grief and Gender: 700– 1700 (2003) and the editor of Rhetorics
of Bodily Disease and Health in Medieval and Early Modern England
(2010).
"Because of the compartmentalization of literary criticism, we have been largely blind to the many points of intellectual and artistic contact between the two greatest English love poets of the later sixteenth- and early seventeenth centuries, Shakespeare and Donne. This remarkable collection of highly original essays changes that. It also changes the field of English Renaissance studies." Gordon Teskey, Harvard University
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