James W. Heisig is a permanent research fellow at the Nanzan Institute for Religion and Culture in Nagoya, Japan.
Heisig's book stands out as one of the most insightful and
fascinating studies of the philosophies of the Kyoto school that
simultaneously contributes to scholarship on and functions as an
introduction to the philosophies of nothingness.-- "H-Net
Reviews"
This book will be of interest to anyone involved in the study of
continental philosophy, particularly phenomenology, as well as
those interested in Zen and Pure Land Buddhism. In addition, the
book is an interesting historical chronicle in that it documents
the opening of Japan's borders to the West and the subsequent
Japanese academic response to Western ideas.-- "Journal of Buddhist
Ethics"
A formidable research resource.... After the impressive rigor
displayed in the collection of essays he published with John C.
Maraldo in 1994, under the title Rude Awakenings: Zen, the Kyoto
School, & the Question of Nationalism, Heisig has now presented
Japan studies with his most compelling achievement to date. He has
won new glory for the discipline. We are in his debt.-- "Japan
Times"
A signal achievement. Heisig weaves biographical narrative,
contextual elaboration, philosophical explication, and critical
analysis effortlessly (it appears), resulting in a fascinating and
absorbing reading experience.-- "Buddhist-Christian Studies"
A very good book ... no small contribution to making the
philosophies of nothingness simply compelling-- "Philosophy East
and West"
Excellent ... firmly situates Nishida in conversation with two
other major Kyoto School figures: Tanabe Hajime and Nishitani
Keiji-- "Religious Studies Review"
Long-awaited ... certain to remain a reference point for future
studies, not only about Japanese intellectual history, but also
about the vast and heterogeneous phenomenon of interreligious
dialogue, as well as the history of world philosophy-- "Buddhist
Studies Review"
Magisterial-- "Japanese Journal of Religious Studies"
Philosophers of Nothingness has great merit as a broad-based study
of the Kyoto school-- "Monumenta Nipponica"
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