Table of Contents

List of Illustrations
Acknowledgments
Map of Paris, 1918–1929
Introduction
Chapter 1 Out of Darkness (1918)
Chapter 2 Going Forward (1918–1919)
Chapter 3 Versailles and Victory (1919)
Chapter 4 Making Way for the New (1919–1920)
Chapter 5 Les Années Folles (1920)
Chapter 6 Weddings, Break-ups, and Other Affairs (1921)
Chapter 7 The Lost Generation (1922)
Chapter 8 A Death in Paris (1923)
Chapter 9 Americans in Paris (1924)
Chapter 10 You’ve Come A Long Way From St. Louis (1925)
Chapter 11 All That Jazz (1926)
Chapter 12 Sophisticated Lady (1927)
Chapter 13 Cocktails, Darling? (1928)
Chapter 14 The Bubble Bursts (1929)
Notes
Bibliography
Index
About the Author

About the Author

Mary McAuliffe holds a PhD in history from the University of Maryland, has taught at several universities, and has lectured at the Smithsonian Institution. She has traveled extensively in France, and for many years she was a regular contributor to Paris Notes. Her books include Dawn of the Belle Epoque, Twilight of the Belle Epoque, Clash of Crowns, and Paris Discovered. She lives in Manhattan with her husband.

Reviews

A vivid chronicle of 10 roiling years in Paris.Historian McAuliffe . . . takes up where her last book left off, in 1918, to focus on the city's cultural life after World War I. What Americans called the Roaring '20s, the French termed les Années folles, "the Crazy Years," which the author deems an apt epithet for the "what the hell" attitude that pervaded the city's upper class. But there was more to life in Paris than "endless parties and late-night jazz clubs." Organizing the book chronologically, McAuliffe portrays a city bursting with creativity in art, music, dance, fashion, architecture, and literature. Drawing on memoirs, biographies, and the many histories of the period, she follows an abundant and diverse cast of characters, creating brief vignettes about the yearly evolution of their lives and careers. Besides the usual suspects found in any history of the Lost Generation—Hemingway, Fitzgerald, Stein, Picasso, Pound, Man Ray, Kiki of Montparnasse, and Cocteau, to name a few—the author includes politicians (de Gaulle, Clemenceau, Pétain) and innovators in fields other than the arts, such as cosmetics manufacturers Helena Rubinstein and François Coty; architect Charles Jeanneret, who became famous as Le Corbusier; Marie Curie; couturiers Paul Poiret and, of course, Coco Chanel; and automotive giants Renault, Peugeot, and Citroën. André Citroën, writes McAuliffe, was determined to be the French Henry Ford; he "was not interested in creating a plaything for the rich. He wanted to make useful car for the middle class," the equivalent of Ford's Model T. Within a year of production, thousands of Citroëns were on the road. By 1925, Citroën was the fourth-largest auto company in the world, "behind only the Americans—Ford, General Motors, and Chrysler." Fast-paced and richly detailed, the narrative nevertheless reprises many well-known stories. McAuliffe creates an expansive landscape in her examination of a transformative decade.
*Kirkus*

McAuliffe follows Dawn of the Belle Epoque with another breezy, brisk, well-researched work about Paris, this time focusing on the dazzling figures populating the once-denigrated Paris neighborhood of Montparnasse at its mesmerizing peak. ‘The Lost Generation’ of expat writers and artists helped transform Montparnasse into a culturally rich, tumultuous community where the luminous and daring Josephine Baker danced, Gertrude Stein kvetched about James Joyce, and the taxi horns provided inspiration for George Gershwin. Not surprisingly, the area’s notoriety only grew with the proliferation of the expats and artists’ casual and often rash affairs, drug use (especially Jean Cocteau’s opium addiction), and other self-indulgent behaviors aided by reckless spending. Weaving in key advancements in cultural production (music, architecture, theater, film) and technological evolution in the automobile industry, McAuliffe smartly keeps her eye on political events in Paris as well as in central Europe, especially the increasing popularity of far-right movements and Charles de Gaulle’s rise in the French military. McAuliffe recreates a lush, gorgeous world filled with talented, yet immensely flawed innovators who experienced les années folles (‘the crazy years’) as a rare escape into creativity, glamor, and respite from the sobering reality of a world prone to devastating wars.
*Publishers Weekly*

What do James Joyce, Marie Curie, Sylvia Beach, Igor Stravinsky, and Man Ray have in common? Along with those named in the title, they are among the cast of characters McAuliffe (Twilight of the Belle Époque, 2014) portrays in her tour of Les années folles, the Golden Twenties in the City of Light. She transports us to Montparnasse, populated by artists, writers, musicians, tourists, and an assortment of larger-than-life personalities whose “spirit . . . flowed on a river of coffee, alcohol, and chat.” Beginning with the end of WWI, McAuliffe carefully chronicles each year of that dynamic decade that saw change on so many fronts, including fashion, art, music, literature, and social behavior. She weaves together an array of stories of well-known as well as some lesser-known individuals to create a vibrant tapestry shot through with color, chaos, and creativity. Graced with period photographs and bolstered with an impressive selection of sources, When Paris Sizzled will captivate anyone who has wondered just what the Lost Generation was up to.
*Booklist*

When Paris Sizzled delivers an expansive and wonderfully engaging account of the spirited characters who made the Left Bank of Paris the center of the creative world.
*The Huffington Post*

McAuliffe, the author of several books about Paris, draws on the troves of material left behind by the era’s great writers and expats to bring the city to life in a kind of you-are-here-with-Cocteau-and-Chanel tableau vivant.
*The New York Times*

What's most impressive is the way [McAuliffe] shows both how and why the 1920s in Paris served as a magnificent interlude between two of the century's most iconic disasters. . . . [She] avoids romantic myths of the Jazz Age, focusing on how artists struggled against a backdrop of anti-Semitism, poverty and the rise of fascism.
*Shelf Awareness*