Illustrations
Acknowledgments
Introduction
1. From Birth To Blaxploitation: Hollywood's Inscription of
Slavery
2. Slaves, Monsters, and Others: Racial Fragment, Metaphor, and
Allegory on the Commercial Screen
3. The Rise and Fall of Blaxploitation
4. Recuperation, Representation, and Resistance: Black Cinema
through the 1980s
5. Black Film in the 1990s: The New Black Movie Boom and Its
Portents
Notes
Bibliography
Index
A challenge to Hollywood's one-dimensional images of African Americans
Ed Guerrero, Assistant Professor of English at the University of Delaware, lectures and publishes widely on black cinema and has worked on documentary film projects for PBS and Island Records.
"Ed Guerrero writes broadly and insightfully about the creation and
domination of the black image in commercial cinema. This book is a
must-read for anyone wishing to develop an understanding of black
films and filmmaking in the U.S."
—Julie Dash
"This well-written and well-argued book offers both an historical
survey of representations of blacks in American films and an
argument about the relationship between social life and popular
culture.... [It] fills an important need within the fields of
cinema studies, Afro-American studies, and cultural studies, and
will appeal to a broad range of readers."
—George Lipsitz, University of California, San Diego
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