Gabriel Banat: A professional violinist all his life: recitalist and member of the New York Philharmonic, he has systematically scoured the violin repertory for interesting and even unknown music. Banat published Masters of the Violin a six-volume collection of lesser-known violinist-composers, (HBJ-Johnson Reprint, 1980), includes works of the Chevalier de Saint-Georges, and in 1986, he recovered and published the original autograph scores of Mozart's violin concertos, considered lost in WW II. He is the author of an authoritative monograph on the Chevalier de Saint-Georges published in 1990 in The Black Music Research Journal, and the entry on the same person in The New Grove, 2000. This led to his full-length book The Chevalier de Saint-Georges, Virtuoso of the Sword and the Bow, a critically acclaimed biography published in June 2006 by Pendragon Press.
A Swashbuckling Violinist, Fresh From the 1700s
One of the most fascinating figures of the 18th century was the
Chevalier de Saint-Georges, a composer, violinist, fencing champion
and military hero whose fame spanned continents. That he was black,
born in 1745 to a white planter and his slave mistress in
Guadeloupe, not only shaped his life in France, but has fed a
growing interest in him today.
Though Saint-Georges's life reads like a Hollywood screenplay, it
was his musical talent that most interested Gabriel Banat, a
concert violinist and musicologist whose biography, The Chevalier
de Saint-Georges: Virtuoso of the Sword and the Bow, was published
by Pendragon Press in 2006.
"He's not a Mozart, but his innovative violin technique makes him a
bridge between Italian virtuosos like Vivaldi and Locatelli and
Beethoven in his violin writing," Mr. Banat said in an interview in
his home here. "He did a lot for the violin in bringing Italian
virtuoso technique to the great masters."
Saint-Georges, who died in 1799, wrote 14 violin concertos, 8
symphony concertantes and 5 operas, among other works. (His second
symphony will be performed on April 12 and 13 by the Stamford
Symphony Orchestra at the Palace Theater in Stamford.)
Mr. Banat, who had an acclaimed solo career before becoming a
23-year member of the New York Philharmonic, considers
Saint-Georges the first significant black classical composer. Now
retired, Mr. Banat, 81, has spent years researching and writing
about Saint-Georges, who made music in the court of Marie
Antoinette and went on to lead a regiment of black soldiers in the
French Revolution.
Born as Joseph Boulogne, Saint-Georges took part of his title from
his father, George Bologne de Saint-Georges, and became a chevalier
when he was appointed a Versailles guard-on-horseback by Louis XV.
Known for his striking looks, sweet temperament and swashbuckling
ventures, he became the subject of a 19th-century romance novel
that spawned distortions of his life in later biographies,
according to Mr. Banat.
Some of the more innocuous errors about him, Mr. Banat notes in the
preface to his biography, include "the year of his birth, the
identity of his father, the spelling of his family name and the
place where he spent his childhood." Mr. Banat said that legends of
Saint-Georges being a "ladykiller" and Marie Antoinette's lover
were "tinged with racism" because of their insinuations about black
male sexuality. Nor, he said, was Saint-Georges the queen's music
teacher.
Mr. Banat said he first heard of Saint-Georges in the 1970s while
browsing in the New York Public Library for new material for his
recitals. "I picked up a score and said, `Who is this lovely
Saint-Georges?' "he recalled.
Mr. Banat said he wanted to delve deeper, especially after learning
of the composer's difficulties as a person of mixed race -
Saint-Georges could not marry within his social group, and although
he led a prestigious orchestra that gave the premieres of several
Haydn symphonies, he was denied the position of director of the
Paris Opera. "As a young Jewish boy violinist, I had to fight
against discrimination, and I felt empathy for him," said Mr.
Banat, who was born in Romania, trained as a violinist in Hungary
and spent much of World War II in hiding before coming to the
United States in 1946.
Although Mr. Banat's book was published more than a year ago,
Saint-Georges is still on his mind. "Chevalier," a film about
Saint-Georges is now in development by Griot Pictures Entertainment
and is scheduled to start production later this year. Mr. Banat
says he is concerned about how the composer will be portrayed.
Thomas Hopkins, the film's producer, said the movie would take some
liberties as a biopic, but that it would not "overstate the
historical facts." "It's not a documentary," he said noting that
the story was mainly about "a guy who was born an aristocrat and
became a revolutionary."
-Roberta Hershenson
The New York Times
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