Contents: Introduction; Poulenc and Koechlin: 58 lessons and a friendship, Robert Orledge; Poulenc’s choral works with orchestra, Keith W. Daniel; Raymonde Linossier: ’Lovely soul who was my flame’, Sophie Robert; ’My ideal library’, Francis Poulenc; ’The coherence of opposites’: Eluard, Poulenc and the poems of Tel jour telle nuit, Sidney Buckland; Nogent music: Poulenc and Dufy, Marjorie Running Wharton; ’All my pleasure is in making new discoveries’: Francis Poulenc visits American museums of art. From Feuilles américaines. Extraits de journal, Francis Poulenc; Distilling essences: Poulenc and Matisse, Carl B. Schmidt; Poulenc and his patrons: social convergences, Myriam Chimènes; In search of a libretto, Denis Waleckx; Dialogues des Carmélites: the historical background, literary destiny and genesis of the opera, Claude Gendre; ’A musical confession’: Poulenc, Cocteau and La Voix humaine, Denis Waleckx; Poulenc, Britten, Aldeburgh: a chronicle, Philip Reed; Francis Poulenc - disc jockey, Lucie Kayas; Index.
Sidney Buckland and Myriam Chimenes, CNRS, Paris Robert Orledge, Keith W. Daniel, Sophie Robert, 'Francis Poulenc, Sidney Buckland, Marjorie Running Wharton, Carl B. Schmidt, Myriam Chimenes, Denis Waleckx, Claude Gendre, Denis Waleckx, Philip Reed, Lucie Kayas.
�It is good that in his centenary year such attention should have been accorded him in the volume Francis Poulenc: music, art and literature...This fine volume represents an important step� Times Literary Supplement �Without doubt, Francis Poulenc: Music, Art and Literature is a major contribution to Poulenc studies - indeed, to French musical scholarship in general - and is sure to stimulate further study of the composer.� Notes �...a stimulating and, incidentally, lavishly illustrated collection...This is, all in all, a valuable addition to Poulenc literature...Much of this book will deepen the affection and respect we feel for this most lovable of composers.� Musicteachers.co.uk Issue 9 'A book devoted to a relatively neglected figure such as Poulenc is welcome, especially one that is distinctive in the range and diversity of approaches to the composer... The volume is striking for the detail it provides in relation to Poulenc and the musical, literary and artistic circles in which he moved... This is a valuable book, which will be of interest to those working on Poulenc and his contemporaries, twentieth-century music, and French culture in general in the twentieth century.' Music and Letters
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