"Scholars and general readers will welcome Potter's edition...for
its balanced discussion of the nature of the collaboration; for its
provocative, sometimes quirky introduction and notes; and for its
democratic openness to all forms of contemporary
interpretation....This edition is a product of the new scholarly
respect for dramatic collaboration...Like all Arden3 editions,
Potter's is concerned both with early stagings and with the play's
"afterlife" in later productions...In her section on the text
Potter follows other recent Arden editors in leading an
inexperienced reader through the basic methods editors use to
determine the status and history of a printed play...Potter now
takes a distinguished place [among] the long line of previous
editors."--"Shakespeare Quarterly"
"Scholars and general readers will welcome Potter’s edition...for
its balanced discussion of the nature of the collaboration; for its
provocative, sometimes quirky introduction and notes; and for its
democratic openness to all forms of contemporary
interpretation....This edition is a product of the new scholarly
respect for dramatic collaboration...Like all Arden3 editions,
Potter’s is concerned both with early stagings and with the play’s
“afterlife” in later productions...In her section on the text
Potter follows other recent Arden editors in leading an
inexperienced reader through the basic methods editors use to
determine the status and history of a printed play...Potter now
takes a distinguished place [among] the long line of previous
editors."—"Shakespeare Quarterly"
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