Vivienne J. Gray: Introduction
I. Gender
1: Sarah B. Pomeroy: Slavery in the Greek Domestic Economy in the
Light of Xenophon's Oeconomicus
2: Emily Baragwanath: Xenophon's Foreign Wives
3: Clifford Hindley: Xenophon on Male Love
II. Democracy
4: Philippe Gauthier: Xenophon's Programme in the Poroi
5: Steven Johnstone: Virtuous Toil, Vicious Work: Xenophon on
Aristocratic Style
6: Simon Goldhill: The Seductions of the Gaze: Socrates and his
Girlfriends
III. Socrates
7: Donald R. Morrison: Xenophon's Socrates as Teacher
8: Andreas Patzer: Xenophon's Socrates as Dialectician
9: Bernhard Huss: The Dancing Socrates and the Laughing Xenophon,
or The Other Symposium
10: Louis-Andre Dorion: The Straussian Interpretation of Xenophon:
The Paradigmatic Case of Memorabilia IV.4
IV. Cyropaedia
11: Pierre Carlier: The Idea of Imperial Monarchy in Xenophon's
Cyropaedia
12: Philip Stadter: Fictional Narrative in the Cyropaideia
13: E. Lefevre: The Question of the Good Life. The Meeting of Cyrus
and Croesus in Xenophon
14: Michael Reichel: Xenophon's Cyropaedia and the Hellenistic
Novel
15: H. Sancisi-Weerdenburg: The death of Cyrus. Xenophon's
Cyropaedia as a Source for Iranian History
V. Historical Writing
16: H. D. Westlake: The Sources for the Spartan Debacle at
Haliartus
17: Hartmut Erbse: Xenophon's Anabasis
18: John Ma: You can't go home again: Displacement and Identity in
Xenophon's Anabasis
19: Patrick J. Bradley: Irony and the arrator in Xenophon's
Anabasis
20: Vivienne J. Gray: Interventions and Citations in Xenophon's
Hellenica and Anabasis
Vivienne J. Gray is Professor of Classics and Ancient History at the University of Auckland.
[a] fine selection of essays ... offer[s] further insight into his
literary skills as well as a good sense of the cultural interest of
Xenophon as a historical figure in his own right
*Tim Rood, Times Literary Supplement*
tremendously accomplished pieces of scholarship, and will be of
permanent value to all who work on this fascinating text, or on
fourth-century Athens more generally.
*Jeremy Trevett, Bryn Mawr Classical Review*
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