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The Embodied Icon
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Table of Contents

List of Illustrations
Acknowledgements
Introduction
Part I. Liturgical Vestments in the Orthodox Church
1: The Vestments of the Byzantine Rite Described
2: Moving pictures: Embroidered Vestments and the Iconography of the Church Interior
3: Liturgical Mystagogy and the Embroidered Image
Part II. Liturgical Vestments in Byzantine Society
4: Earthly Rivalry: Imperial and Ecclesiastical Dress
5: As it is in Heaven: Vesture and the Unseen World
Conclusion
Appendix A. Handlist of Embroidered Vestments to c. 1500
Appendix B. Embroidered Vestments described in Byzantine Texts
Appendix C. Vesting Prayers According to the Textus Receptus of the Greek Rite
Bibliography
Illustrations

About the Author

Warren T. Woodfin is a specialist in the art and ritual of Byzantium and its neighboring cultures. He currently holds the post of Kallinikeion Assistant Professor of Byzantine Art and History at Queens College, the City University of New York, and is Postdoctoral Fellow at the Kunsthistorisches Institut, University of Zürich, Switzerland.

Reviews

The Embodied Icon is, in sum, an outstanding contribution to textile and clothing studies as well as to the broader religious history of the medieval world.
*Maureen C. Miller, University of California, Berkeley, Speculum*

The great virtue of this book is to explore an important development with great implications, which go to the heart of the dilemmas confronting the Orthodox Church in the last centuries of Byzantium.
*Michael Angold, Revue des études byzantines*

an erudite work that is accessible and engaging.
*Justin Rose. Comitatus*

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