Introduction
Part One: Understanding the Principles
1. Sound Reproduction
2. Preserving the Art
3. Sound in Rooms - Matters of Perspective
4. Sound Fields in Rooms
5. The Many Effects of Reflections
6. Reflections, Images, and the Precendence Effect
7. Impressions of Space
8. Imaging and Spatial Effects in Sound Reproduction
9. The Effects of Reflections on Sound Quality/Timbre
10. Reflections and Speech Intelligibility
11. Adaptation
12. Adjacent-Boundary and Loudspeaker Mounting Effects
13. Making (Bass) Waves - Below the Transition Frequency
14. Summary of Part One: Looking for a Way Forawrd
Part Two: Designing Listening Experiences
15. Multichannel Options for Music and Movies
16. Putting Theory Into Practice: Designing a Listening
Experience
17. Loudspeakers I: Subjective Evaluations
18. Loudspeakers II: Objective Evaluations
19. Psychoacoustics - Explainging What We Measure and Hear
20. Closing the Loop: Predicting Listener Preferences from
Measurements
21. Acoustical Materials and Devices
22. Designing Listening Experiences
References
Index
Floyd E. Toole studied electrical engineering at the University of
New Brunswick and at the Imperial College of Science and
Technology, University of London where he received a Ph.D. In 1965
he joined the National Research Council of Canada where he reached
the position of Senior Research Officer in the Acoustics and Signal
Processing Group. In 1991 he joined Harman International Industries
Inc. as Corporate Vice President – Acoustical Engineering. In this
position he worked with all Harman International companies and
directed the Harman Research and Development Group, a central
resource for technology development and subjective measurements,
retiring in 2007. He is currently a consultant to Harman.
Dr. Toole’s research has focused on the acoustics and
psychoacoustics of sound reproduction in small rooms, directed to
improving engineering measurements, objectives for loudspeaker
design and evaluation, and techniques for reducing variability at
the loudspeaker / room / listener interface. For papers on these
subjects he has received two AES Publications Awards and, for
service to the society, the Board of Governors Award. For his
achievements he has been recognized with both the AES Silver Medal
(1996) and Gold Medal (2013) Awards. He is a Fellow and Past
President of the AES, a Fellow of the Acoustical Society of America
and a Fellow of CEDIA (Custom Design and Installarion Association).
He has been awarded Lifetime Achievement awards by CEDIA and ALMA
(Association of Loudspeaker Manufacturing & Acoustics
International). He has recently written a book: "Sound
Reproduction: the acoustics and psychoacoustics of loudspeakers and
rooms." (Focal Press, 2008).
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