A perceptive analysis of the daring Danish filmmaker's oeuvre
Acknowledgments ix Making the waves: cinema as performance 1 Prescient Affects: Student Films 16 Hypnotic Virtuosity: The Europe Trilogy 21 Subverting the Kingdom: Television 47 Performative Politics: Dogme95 and The Idiots 54 Performing the Feminine: Breaking the Waves and Dancer in the Dark 69 (Up)staging the American Dream: The USA Trilogy (Minus One) 101 Comedy, Automavision, and The Boss of It All 131 Theatre of Cruelty: Antichrist (An Epilogue) 140 interviews with lars von trier 155 Interview, September 2006 155 Interview, October 2007 167 Filmography 181 Bibliography 193 Index 207
Linda Badley is a professor of English at Middle Tennessee State University. She is the author of Film, Horror, and the Body Fantastic and Writing Horror and the Body: The Fiction of Stephen King, Anne Rice, and Clive Barker and the coeditor of Traditions in World Cinema.
"A thoughtful, thorough, and crisply written study of Lars von Trier's feature film production. Linda Badley deftly combines criticism on von Trier's films with close reading, historical analysis, genre theory, gender studies, psychoanalysis, and cultural studies." Andrew Nestingen, author of Crime and Fantasy in Scandinavia: Fiction, Film, and Social Change
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