Carmen C. Bambach is curator in the Department of Drawings and Prints, The Metropolitan Museum of Art, New York. In 2019 she was awarded the Vilcek Prize for Excellence - created to honor immigrants who have had a profound impact on American society and world culture.
“A vast project spanning more than 1m words and 1,500 images . .
. Bambach’s numerous discoveries include a small drapery study
in the Royal Collection, where it was described as from Leonardo’s
workshop.”—Dalya Alberge, Guardian
“awesomely ambitious”—Holland Cotter, New York Times
“A project nearly a quarter-century in the making, this
monograph attempts to provide a comprehensive revisiting of the man
so many know only as the painter of the ‘Mona Lisa’ and the ‘Last
Supper.’”—Lauren Christensen, New York Times Book Review
“This outstanding work for Leonardo’s quincentenary is riveting.
Across four sumptuous, scholarly volumes Bambach takes a fresh
biographical approach, exploring especially through drawings and
handwriting how Leonardo visualised knowledge in a new way. She
humanises genius by showing the gap between his mysterious visions
and staggering achievements.”—Jackie Wullschlager, Financial
Times
“The outstanding memorial to Leonardo’s quincentenary year: a new
biographical approach across four riveting exquisite volumes,
exploring through paintings, drawings, diagrams, handwriting,
Leonardo’s attempt to visualise knowledge in a fresh way, and his
sense of the gap between his mysterious imaginings and his
intellectual and artistic achievements” — Financial Times (Books of
the Year 2019)
“This extraordinary, monumental art historical achievement in four
volumes, running to 2,350 pages, also doubles as a de facto
catalogue raisonné for the ages.”—David Anfam, Art Newspaper
“Bambach's four-volume account of the artist's life
and work is a
feat of research and interpretation that has taken a quarter of a
century to produce. As well as poring over Leonardo's drawings,
paintings, and writings, Bambach considers the relevant scholarship
and recent technical evidence”— Apollo Magazine
“In the case of 2019, there is no question about the most
substantial commemoration of the year, with Carmen C Bambach’s
toweringly authoritative four-volume Leonardo da Vinci
Rediscoveredstanding head and shoulders above any of its
rivals”—David Ekserdjian, Evening Standard
“[. . .] Because only about a dozen surviving paintings are now
generally accepted, the notebooks and drawings provide the main
insight into [Leonardo’s] personality and development as an artist.
But they also present formidable problems of dating, attribution
and purpose, which are at the heart of Carmen Bambach's massive and
extraordinarily impressive scrutiny”—Charles Hope, London Review of
Books
Winner in the PROSE Awards Art History and Criticism category,
sponsored by the Association of American Publishers
Winner of the2020 PROSE Award for Excellence in Humanities,
sponsored by the Association of American Publishers.
Winner of the 2020 PROSE Awards R.R. Hawkins Award, sponsored by
The Association of American Publishers
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