Reviews

Michael Stipe, REM frontman and rock star legend in his own right, becomes a self-declared "dork nerd" when talking about Patti Smith. "I first met Patti Smith in the autumn of 1975.... Somebody had left a music magazine, Cream, under the desk [and] there was a haunting photograph of a young Patti Smith, leaning against a wall, staring down the camera, all scary and beautiful." In Stipe's startling photographs and 12 brief written homages, Patti Smith is depicted as a down-to-earth goddess, a part of and apart from her evolving entourage of musicians, artists, poets (Allen Ginsberg makes an appearance), and friends. This isn't a traditional book of portraits-the images are eerie, smudged, and only a few are of Patti Smith herself. The subjects are rarely identified; there are no captions, and the book has no page numbers. A disproportionate number of the photographs are set in bathrooms. The overwhelming mood is one of disjunction, claustrophobia, exhaustion, temporariness-and the effect is raw and intimate. The photo of Stipe braiding Smith's hair is representative: she giggles shyly, looking years younger than her chronological age. And he is no longer the "dork nerd" teenager, but a fellow musician-and from his proud, caring mien, even a protector. (Aug.) (c) Copyright PWxyz, LLC. All rights reserved.