George Cole was educated at Homerton College, University of Cambridge. He is a freelance music and technology journalist whose work has appeared in Music Week, Jazzwise, Financial Times, Sunday Times, Newsweek, Guardian, and other publications.
Cole does for Miles’s late work what Ian MacDonald’s Revolution in
the Head does for the Beatles, examining each album in meticulous
detail"". - Time Out
""As with any good musical biography, Cole . . . made me think
again about those albums such as Siesta, You’re Under Arrest, and
The Man with the Horn that are now stashed in my attic"". - London
Times
""In the flurry of books since [Miles Davis’s] death, none has
dealt in depth with the music of this period. Music writer George
Cole fills this gap. . . . a rich and rewarding read"". - Gazette
(Montreal)
""A fascinating book"". - Mojo
""A singular look into the last stage of Davis’s long, somewhat
checkered career gained from various sources, which at the same
time gives a picture of the modern music business"". - Midwest Book
Review
""There are large chunks of fresh material here. . . . Fill[s] in
quite a few gaps and dismisses blanket condemnations of [Miles’s]
pop phase"". - Jazzwise
""Thank you for telling it like it was!"" - Randy Hall, singer and
guitarist
""Very moving, emotional material"". - Gordon Meltzer, Miles’s last
road manager and executive producer of Doo-Bop
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