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The Black Musician and the White City
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About the Author

Amy Absher is a SAGES Fellow at Case Western Reserve University in Cleveland, Ohio, USA where she teaches history and composition.

Reviews

"...a lively, well-written overview of a perennially fascinating subject. The author convincingly demonstrates how black musical lives mattered then as they do now, not only for the aesthetic delights they produce and the pleasure and inspiration they bring, but also for what African American musicians have contributed to Chicago and the nation as members of larger communities and collectives striving to prevail despite challenging conditions of discrimination and limited opportunity."
--Derek W. Vaillant, American Historical Review
--Derek W. Vaillant "American Historical Review" (12/5/2015 12:00:00 AM)

"Absher impressively incoproates these...fascinating stories into a lager framework that clearly demonstrates the role of segregation in the lives of Chicago's Black musicians, and her study represents a valuable addition to the historiography on urbanization, segregation, and cultural history in the early to mid-twentieth century."
--Dale Moler, Michigan Historical Review--Dale Moler "Michigan Historical Review"

"Absher is at her best and most useful on the racial history of Chicago's musicians unions... Recommended ."
--Choice--F.J. Hay "Choice"

"Absher's book adds significantly to the historiography of black musicians in Chicago and nationally."
--Tony Gass, Oxford University Press Journal of American History--Tony Gass "Oxford University Press Journal of American History" (9/3/2015 12:00:00 AM)

"This is an important addition to the growing shelf of books on the musical contributions of Chicago's African American community."
--Journal of the Illinois State Historical Society--perry duis "Journal of the Illinois State Historical Society" (11/4/2016 12:00:00 AM)

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