List of illustrations; Acknowledgements; Abbreviations and conventions; Introduction: Date; Sources; Othello's race; The plot and its inconsistencies; The play and its critics; The language of the play; Stage history; Criticism and productions of Othello since 1984 by Scott McMillin; Note on the text; List of characters; THE PLAY; Supplementary notes; Textual analysis; Reading list.
This second edition of Othello features a new introductory section by Scott McMillin.
Gr 7 Up-Osada has populated his version of Othello with a bestiary of part-animal, part-monster characters with third eyes; second sets of arms, wings, and tattoos; and sadomasochistic or infernal overtones. Sometimes the design choices seem to be thematic-Cassio looks quite young, Othello is vaguely angelic-to reinforce an individual aspect of a given character or to provide a small irony. But overall, the effect is mystifying and distracting, and the characters are chimeric aggregations with no sense of purpose or place. The opening of the play focuses on the fact that the marriage between Othello and Desdemona should be stopped because of his Moorish origins-but how can this be an issue when the challenge is being put forth by an anthropomorphic fox? One finds oneself asking why these design decisions were made, and the lack of evidence of any thoughtful intent makes the adaptation unintentionally comic and bizarre. Coupled with a lackluster use of tone and shade, and a series of monologues that lacks narrative form, this volume would seem unlikely to convert manga readers to Shakespeare, nor to lead literature readers to comics.-Benjamin Russell, Belmont High School, NH Copyright 2009 Reed Business Information
Shakespeare's legendary tragedy is revisited in this spirited and entertaining production that ran in London from November 2007 to February 2008. The flawless, talented cast features Ewan McGregor as the conniving Iago, Chiwetel Ejiofor as Othello (whose performance won him the Olivier Award as best actor) and Kelly Reilly as Desdemona. There is also excellent support from Tom Hiddleston (as Cassio) and Michelle Fairley (as Emilia). This audio production is a rousing, theatrical performance expertly guided by director Michael Grandage. Complete with a musical score as well as full sound effects and background noises, listening is so enjoyable that the play speeds by at breakneck pace. An enclosed booklet contains color photographs of the production and a well-written essay by drama professor Russell Jackson. There's also an entertaining bonus DVD disc featuring interviews with the cast and crew. Brilliantly produced in all departments, listening is the next best thing to seeing it live. (July) Copyright 2008 Reed Business Information.
The new "Sourcebooks Shakespeare" series is designed to attract a wide audience by emphasizing performance as well as text. A glossary and photos from contemporary stage and film productions accompany the text of each play, and related essays offer further insights. Each title contains an integrated audio CD that is narrated by British Shakespearean actor Sir Derek Jacobi and features excerpts from memorable performances of key scenes. The series boasts stellar credits: its advisory board includes Shakespeare scholars David Bevington and Peter Holland and Chicago Shakespeare Theater director Barbara Gaines. Among the contributors are several more Shakespeare scholars as well as actress Janet Suzman and Andrew Wade, formerly head of voice for the Royal Shakespeare Company. Both volumes begin with Thomas Garvey's "In Shakespeare's `Time,' " an essay that sets the playwright in historical context, and end with "The Cast Speaks," in which casts of 2005 productions discuss their approach to the characters they portrayed. The CD accompanying the Othello volume features a variety of noteworthy performers in the title role, including Paul Robeson, Paul Scofield, and Edwin Booth; and the CD accompanying the Romeo and Juliet volume presents recordings of Kate Beckinsale, Dame Peggy Ashcroft, and Ellen Terry as Juliet; Kenneth Branagh and Michael Sheen as Romeo; Sir Derek Jacobi as Mercutio; and Sir John Gielgud as Friar Laurence. With the number of film adaptations of Shakespeare's works in recent years, public libraries should seriously consider acquiring this series.-Carolyn M. Mulac, Chicago P.L. Copyright 2005 Reed Business Information.
 |
Ask a Question About this Product More... |
|
