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Henri-Georges Clouzot
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Table of Contents

1. Clouzot and the cinema
2. Occupation and its discontents
3. Reconstruction and retribution: Clouzot’s post-war films
4. Beyond genre: Le Salaire de la peur
5. Suspense and surveillance: Les Diaboliques and Les Espions
6. Filming Picasso and Karajan
7. The final films
Conclusion
Filmography

About the Author

Christopher Lloyd is Professor of French at Durham University

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