Table of Contents

Contents: Preface; Introduction: From 'Renaissance' to 'Baroque'?, Jonathan P. Wainwright; Baptiste's Hautbois: the metamorphosis from Shawm to Hautboy in France, 1620-70, Bruce Haynes; A commentary on the letter by Michel de La Barre concerning the history of musettes and hautboys, Marc Ecochard; The woodwind instruments of Richard Haka (1645/6-1705), Jan Bouterse; Basstals or Curtoons: the search for a transitional Fagott, Graham Lyndon-Jones; The iconographic background to the seventeenth-century recorder, Anthony Rowland-Jones; The Renaissance flute in the 17th century, Nancy Hadden; The flute at Dresden: ramifications for 18th-century woodwind performance in Germany, Mary Oleskiewicz; How did 17th-century English violins really sound?, Peter Trevelyan; The development of French lute style 1600-50, Matthew Spring; The early Air de Cour, the Theorbo, and the Continuo principle in France, Jonathan Le Cocq; From stops organical to stops of variety: the English organ from 1630 to 1730, Dominic Gwynn; Upgrading from consorts to orchestra at the Württemberg court, Samantha Owens; From violin band to orchestra, Peter Holman; Organological Gruyère, Jeremy Montagu. Workshop Reports: J.S. Bach's Actus tragicus: 'Gottes Zeit ist die allerbeste Zeit' (BWV 106), Andrew Parrott; The French Baroque orchestra: Lully, Charpentier, Couperin, Graham Sadler. Bibliography; Index.

About the Author

Jonathan Wainwright is Senior Lecturer in Music at the University of York, UK. Peter Holman is Reader in Music at the University of Leeds, UK. Contributors: Jonathan P. Wainwright, Bruce Haynes, Marc Ecochard, Jan Bouterse, Graham Lyndon-Jones, Anthony Rowland-Jones, Nancy Hadden, Mary Oleskiewicz, Peter Trevelyan, Matthew Spring, Jonathan Le Cocq, Dominic Gwynn, Samantha Owens, Peter Holman, Jeremy Montagu, Andrew Parrott, Graham Sadler.

Reviews

'The 17th century was one of change in instrumental design, confusing nomenclature and varying ensembles. Anyone performing music of that period will benefit from at least dipping into this varied collection of studies.' Early Music Review '...comprehensive in scope...engaging in narrative... One of the most compelling aspects of the collection is the systematic manner in which the contributors (all experts in their fields) present their diverse evidence... a valuable addition to the literature...Essential.' Choice