Table of Contents

Preface and introduction: 'Between disciplines'; Living presence; The reanimation of the world: relocating the 'live'; The human body in electroacoustic music: sublimated or celebrated?; 'Playing space': towards an aesthetics of live electronics; To input the live: microphones and other human activity transducers; Diffusion-projection: the grain of the loudspeaker; References; Index.

About the Author

Simon Emmerson is Professor in Music, Technology and Innovation at De Montfort University, Leicester, UK.