Jane Ellen Wayne is the author of Robert Taylor: The Man with the Perfect Face and eight other Hollywood star biographies, among them Lana, Gable's Women, and Crawford's Men. She lives in Wilmington, North Carolina.
"Fun, gossipy . . . a good (if sensational) entree to their careers and milieus."
Wayne, a seasoned biographer of studio-era stars (Eva's Men; Gable's Women; etc.), serves up fun dish on the gals from the studio that once billed itself as having more stars than there are in the heavens. She presents them all-Jeanette, Joan, Judy, Ava, Liz and more-in breathless style, paying equal attention to the undergarments they didn't wear and to the men they loved most. With the adeptness of someone familiar with her subjects and not afraid to read minds, Wayne eases in and out of the stars' thinking as they love, drink, act, divorce and attempt suicide. Throughout all these goings-on, there is the overwhelming presence of Metro-Goldwyn-Mayer. In Sunset Boulevard, Norma Desmond (Gloria Swanson) complained it was the pictures that got small, but this book makes the case that it was the studios that died and ruined movies. All Wayne's subjects appear to be controlled by studio head Louis B. Mayer, through both his direct actions and the influence of his thinking. As Wayne tells it, he kept lovers from marrying and dictated roles his stars resented. Yet generally, the stars remembered him fondly, e.g., Jeanette MacDonald, who said after his death, "One of the greatest sadnesses of life is to realise [sic] how much you owe someone when it's too late...." For diehard fans, there's not much new here, but what is, is choice. 16 pages of b&w photos. (Jan.)
"Fun, gossipy . . . a good (if sensational) entree to their careers and milieus."
 |
Ask a Question About this Product More... |
|
