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Vision, Reflection, and Desire in Western Painting
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About the Author

David Summers is William R. Kenan Jr. Professor of Art History at the University of Virginia. He is author of three previous books, including Real Spaces: World Art History and the Rise of Western Modernism.

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A valuable addition to a subject often treated in starkly mathematical terms.--Isis

An insightful investigation of the intersections of painting, optics, and perception. . . . The general thrust of the book, with its emphasis on the historical and even human basis for perspective, offers an important answer to critiques which treat it as conventional or arbitrary.--Renaissance Quarterly

It is [Summer's] ability to see through the superficial relationships that bind optics, perspective and Western painting to the threads that weave them together into meaningful structures that accounts for this book's great contribution to scholarship.--The Burlington Magazine

Looks beyond the merely geometric aspects of sight to the higher-order activities of vision and the role of memory. . . . Recommended.--CHOICE

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