Table of Contents

Contents: Helga W. Kraft/Dagmar C.G. Lorenz: Introduction: A Writer Beyond Nation and Time - Helga W. Kraft: Elsa Bernstein's Appeal to Contemporary Theater Audiences: Maria Arndt in Chicago 2002 - Helga W. Kraft/Dagmar C.G. Lorenz: Re-performing the Frauenfrage in Chicago: Interview with Curt Columbus, Chicago Steppenwolf Theatre - Elke Liebs: Bernstein's Koenigskinder. Utopia of the Power of Love - Elizabeth Ametsbichler: Bernstein's Works and the Women's Movement - Astrid Weigert: Gender - Art - Science: Elsa Bernstein's Critique of Naturalist Aesthetics - Friederike B. Emonds: Revamping Female Authorship. Elsa Bernstein's Wir Drei and the Drama of Modernism - Sabine von Mering: No servitude is as miserable as that of women. Elsa Bernstein's Neoclassical Tragedies - Gertrud Roesch: Daughter and Sister. Family Structure in the Work of Elsa Bernstein - Susanne Kord: The Eternal Feminine and the Eternal Triangle: Men between Two Women in Bernstein's Naturalistic Dramas - Deborah Vietor-Englaender: A Woman Hidden from the World: Male Pseudonym and A-prominent. Elsa Porges-Bernstein alias Ernst Rosmer and in Theresienstadt L-126 - Dagmar C.G. Lorenz: Writing for Survival: Bernstein's Theresienstadt Experience - Rita Bake/Birgit Kiupel: Rediscovering Bernstein's Theresienstadt Memoir.

About the Author

The Editors: Helga W. Kraft is Professor of Germanic Studies in the Department of Germanic Studies at the University of Illinois at Chicago. She was Director of the Center for Women's Studies and Gender Research at the University of Florida. Her research interest lies in the area of Germanic studies of the nineteenth, twentieth, and twenty-first centuries with special focus on drama and gender studies. Dagmar C. G. Lorenz, Professor of Germanic Studies at the University of Illinois at Chicago, focuses her research on Austrian and nineteenth- and twentieth-century German and German-Jewish literary and cultural issues and Holocaust studies, with an emphasis on history and social thought and minority discourses.

Reviews

This volume on Elsa Bernstein is the result of a twofold archaeological expedition: first the person herself had to be excavated from the perpetually deepening layers of National Socialist speech, then the biographical fragments had to be reassembled for the person to come to light. Only then could Bernstein-as-artist reclaim her voice and be understood. (Marlene Streeruwitz, Austrian Writer)