Reviews

"An incredible look into the murky and virtually impenetrable world of private military contractors . . . Pelton may well have seen the future." --Sebastian Junger, author of "The Perfect Storm" and "A Death in Belmont"
""Licensed to Kill" is smart, funny, sometimes scary, and always interesting. Pelton truly captures the cast of characters that make up our new 'coalition of the billing' in the War on Terror." --P. W. Singer, author of "Corporate Warriors: The Rise of the Privatized Military Industry"
"A rollicking read that takes the reader inside the murky world of military contractors--from the craggy passes of the Afghan-Pakistan border, to the extreme danger of Baghdad's airport road, to the diamond fields of Africa. "Licensed to Kill" is not only a great travelogue, it also has some important things to say about the brave new world of privatized violence that will increasingly be a feature of twenty-first-century wars." --Peter Bergen, author of "The Osama bin Laden I Know" and "Holy War, Inc."
"Robert Pelton enjoys the credibility not shared by many to comment on the world's dark corners. "Licensed to Kill" sheds light on one of the corners--the world of private for-hire guns, mercenaries, and armies. It's a reality; it's a business; it's lucrative . . . Consider Licensed to Kill a 'safety brief, ' a military term for 'pay attention.' Read it . . . pay attention." --James A. "Spider" Marks, Major General, United States Army (Ret.)
"Pelton reveals how the U.S. military-industrial complex has created its own dark version of the nonstate warrior [and] asks if companies like Blackwater and Executive Outcomes could become the new Hessians for both multinationalcorporations and overstretched armies." --Jonathan Taplin, professor, USC Annenberg School for Communication, and producer of "Under Fire," "The Last Waltz," and "Mean Streets"
"'The dark side of the war on terror' may sound redundant, but how else can you describe the world of contractors, mercs, and wackos who are paid big money to keep the key players alive and the war machinery humming? It's a cynical, funny, and very scary place, stretching from Arkansas to Fallujah, and no one gets it, or tells it, better than Robert Young Pelton." --John Rasmus, editor in chief, "National Geographic Adventure"

" An incredible look into the murky and virtually impenetrable world of private military contractors . . . Pelton may well have seen the future." -- Sebastian Junger, author of "The Perfect Storm" and "A Death in Belmont"
" "Licensed to Kill" is smart, funny, sometimes scary, and always interesting. Pelton truly captures the cast of characters that make up our new ' coalition of the billing' in the War on Terror." -- P. W. Singer, author of "Corporate Warriors: The Rise of the Privatized Military Industry"
" A rollicking read that takes the reader inside the murky world of military contractors-- from the craggy passes of the Afghan-Pakistan border, to the extreme danger of Baghdad's airport road, to the diamond fields of Africa. "Licensed to Kill" is not only a great travelogue, it also has some important things to say about the brave new world of privatized violence that will increasingly be a feature of twenty-first-century wars." -- Peter Bergen, author of "The Osama bin Laden I Know" and "Holy War, Inc."
" Robert Pelton enjoys the credibility not shared by many to comment on the world's dark corners. "Licensed to Kill" sheds light on one of the corners-- the world of private for-hire guns, mercenaries, and armies. It's a reality; it's a business; it's lucrative . . . Consider Licensed to Kill a ' safety brief, ' a military term for ' pay attention.' Read it . . . pay attention." -- James A. " Spider" Marks, Major General, United States Army (Ret.)
" Pelton reveals how the U.S. military-industrialcomplex has created its own dark version of the nonstate warrior [and] asks if companies like Blackwater and Executive Outcomes could become the new Hessians for both multinational corporations and overstretched armies." -- Jonathan Taplin, professor, USC Annenberg School for Communication, and producer of "Under Fire," "The Last Waltz," and "Mean Streets"
" ' The dark side of the war on terror' may sound redundant, but how else can you describe the world of contractors, mercs, and wackos who are paid big money to keep the key players alive and the war machinery humming? It's a cynical, funny, and very scary place, stretching from Arkansas to Fallujah, and no one gets it, or tells it, better than Robert Young Pelton." -- John Rasmus, editor in chief, "National Geographic Adventure"