List of Illustrations viii
Preface xi
Acknowledgments xiii
Note on Qur'anic Verse xvii
Guide to Indonesian Spelling and Pronunciation xviii
Introduction: Picturing Islam 1
1 Becoming a Muslim Citizen and Artist 15
2 Revelations and Compulsions 39
3 Diptych – Making Art Islamic and Making Islamic Art Indonesian 54
Part 1: Making Art Islamic 54
Part 2: Making Islamic Art Indonesian 66
4 Spiritual Notes in the Social World 80
5 Anguish, Betrayal, Uncertainty, and Faith 107
Conclusion: A Retrospective 132
Afterword: Choosing a Frame 143
References 148
Index 155
Kenneth M. George is Professor of Anthropology at the University of Wisconsin-Madison, and an associate of its Center for Southeast Asian Studies. His ethnographic work on contemporary Indonesian art has been supported by many fellowships including awards from the National Endowment for the Humanities and the John Simon Guggenheim Foundation. George's first book, Showing Signs of Violence, was awarded the 1998 Harry J. Benda Prize in Southeast Asian Studies by the Association for Asian Studies. He also served as the Editor of the Journal of Asian Studies from 2005 through 2008.
"This refreshing approach makes this book a welcome contribution to be read in conjunction with other relevant theoretical and disciplinary works." (Journal of Southeast Asian Studies, 1 February 2012) "This book provides a compelling and richly drawn portrait of an individual artist, and contributes to a deeper understating of the cultural politics of Asia's postcolonial art world and the creative and ethnic sensibilities of its Muslim artists. It is a must-read for contemporary art historians and anthropologists alike." (Journal of Folklore Research, 19 January 2011) "Written in straightforward language with extraordinary sensitivity, this book is addressed to undergraduate students of anthropology, religion, and art history." (Museum Anthropology Review, 2011)
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