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100 Years of Spanish Cinema
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Table of Contents

List of Figures vii


About the Authors viii


Acknowledgments x


Preface xi


1 Silent Cinema and its Pioneers (1906?1930) 1


El ciego de aldea, Ángel García Cardona 8


Amor que mata, Fructuós Gelabert 10


Don Pedro el Cruel, Ricardo Baños, Albert Marro 12


La aldea maldita, Florián Rey 15


2 Surrealism (1924?1930) and the Advent of Sound (the
Second Republic: 1931?1936) 21


Un chien andalou, Luis Buñuel 26


Tierra sin pan, Luis Buñuel 30


3 Spanish Civil War (1936?1939) 39


Suspiros de España, Benito Perojo 46


Canciones para después de una guerra, Basilio Martín
Patino 52


4 The Autarky: Papier-Mâché Cinema
(1939?1950) 61


Raza, José Luis Sáenz de Heredia 66


Locura de amor, Juan de Orduña 74


5 Neorealism: Status Quo and Dissent (1951?1961)
81


El cochecito, Marco Ferreri 89


Viridiana, Luis Buñuel 96


6 The ?Liberal? Dictatorship and its Agony
(1962?1975) 104


El verdugo, Luis García Berlanga 113


El jardín de las delicias, Carlos Saura 120


7 Cinema of the Transition: The Period of Disenchantment
(1975?1979) 127


El desencanto, Jaime Chávarri 140


El crimen de Cuenca, Pilar Miró 145


8 Post-Franco Spain: The Pedro Almodóvar Phenomenon
(1980?1991) 152


Pepi, Luci, Bom y otras chicas del montón, Pedro
Almodóvar 161


¿Qué he hecho yo para merecer esto!, Pedro
Almodóvar 169


9 Contemporary Trends (1992 to the Present) 180


Vacas, Julio Medem 194


Carícies, Ventura Pons 203


Flores de otro mundo, Icíar Bollaín 211


The Secret Life of Words (La vida secreta de las palabras),
Isabel Coixet 218


Glossary of Film Terms 226


Historical Chronology 232


Notes 246


Bibliography 257


Index 263

About the Author

Tatjana Pavlovic is Associate Professor of Spanish at Tulane
University in New Orleans.

Inmaculada Alvàrez is a Visiting Assistant Professor
at University of California, Riverside.




Rosana Blanco-Cano is Assistant Professor at Trinity
University in San Antonio, Texas.




Anitra Grisales is a freelance editor and translator
specializing in film and media studies.




Alejandra Osorio is a professor in the Communications
Department of the Universidad Autónoma
Metropolitana-Cuajimalpa, Mexico.




Alejandra Sánchez is a Ph.D. candidate at Tulane
University in the Department of Spanish and Portuguese.

Reviews

?An excellent resource for students of Spanish film and/or contemporary Spanish culture. Summing Up: Highly recommended.? (Choice Reviews, May 2009)

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