Trebor Healey's poetry has appeared in dozens of literary journals, including the James White Review, the Chiron Review, Long Shot, The Santa Barbara Review and Evergreen Chronicles, and has accompanied the films Penny Arcade and Peep Show in G. His fiction has been featured in the Harrington Gay Men's Fiction Quarterly and has appeared online in the Blithe House Quarterly, Lodestar, Asche! and Tina. Healeys work has also appeared online in Queer Dharma: Voices of Gay Buddhists, Wilma Loves Betty and Other Hilarious Gay and Lesbian Parodies, Mama's Boy and Beyond Definition (also available from Turnaround), among others.
"Trebor Healey's compelling tale of crisis around a family illness and an unexpected first gay love is poetic and reflective, angry, rowdy, funny, and triumphant." - Felice Picano, author of Ambidextrous and A House on the Ocean, A House on the Bay; "Love hurts, love heals - that's the crystalline message at the core of Trebor Healey's complex, accomplished coming-of-age story about a cautiously queer suburban kid whose heart is unexpectedly squeezed hard by a young junkie's quicksilver mind and beautiful lean body." - Richard Labonte, reviewer, Book Marks and Q Syndicate; "Sweet, sad, gritty, and real. Healey delivers coming out as apocalypse - tender, destructive, punk." - Michelle Tea, author of The Chelsea Whistle"
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