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Every Love Story is a Ghost Story
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A unique portrait of the life and death of a totemic writer - who inspired a generation

About the Author

D. T. MAX is a journalist and essayist who is a staff writer at the New Yorker, and writes regularly for the New York Times Book Review, and the LA Times. His previous book with Portobello was The Family That Couldn't Sleep (2007). www.dtmax.com

Reviews


Praise for "Every Love Story Is A Ghost Story"
"All dedicated readers of contemporary American literature will know the tragic, haunting and ultimately unfathomable story of David Foster Wallace, the prodigiously gifted writer - no, genius - who reshaped the contours of both the novel and long-form nonfiction in his far-too-brief life. D. T. Max has now provided answers to the questions that can be answered and asked, with tact and grace, the ones that can't. His biography is a model of deep scholarly excavation and acute sensitivity, an exemplary feat of literary portraiture." --James Atlas, author of "Bellow: A Biography
" "This book is vey well-researched, deeply sympathetic, and incredibly painful to read. We should feel grateful that this story was told by someone as talented and responsible as D.T. Max." --Dave Eggers, author of "A Hologram for the King
" "This book should be handed to anyone who wants to write, if only to remind the aspiring writer that becoming a voice of generational significance turns out to be very poor insulation indeed from struggle, fear, and despair. D. T. Max is beautifully attuned to Wallace's strengths, whether personal or literary, and bracingly clear-sighted on his flaws. The result is a book that's moving, surprising (Wallace voted for Reagan?), and hugely disquieting. If you love Wallace's work, you obviously need to read this book; if you don't love Wallace's work, you especially need to read this book." --Tom Bissell, author of "The Father of All Things
" "A damnably readable, streamlined, yet deeply researched work. Skipping the ancestors and aftermath of conventional biography, Max gives us the man, his work, and his times--the niceties of which (so complicated, so exquisitely intertwined) Max articulates with, well, Wallace-like lucidity and wit. Above all this is the story of a touching young man who insisted on being something better than simply the smartest person in the room." --Bl


Praise for "Every Love Story Is A Ghost Story"
"All dedicated readers of contemporary American literature will know the tragic, haunting and ultimately unfathomable story of David Foster Wallace, the prodigiously gifted writer - no, genius - who reshaped the contours of both the novel and long-form nonfiction in his far-too-brief life. D. T. Max has now provided answers to the questions that can be answered and asked, with tact and grace, the ones that can't. His biography is a model of deep scholarly excavation and acute sensitivity, an exemplary feat of literary portraiture." --James Atlas, author of "Bellow: A Biography
" "This book is vey well-researched, deeply sympathetic, and incredibly painful to read. We should feel grateful that this story was told by someone as talented and responsible as D.T. Max." --Dave Eggers, author of "A Hologram for the King
" "This book should be handed to anyone who wants to write, if only to remind the aspiring writer that becoming a voice of generational significance turns out to be very poor insulation indeed from struggle, fear, and despair. D. T. Max is beautifully attuned to Wallace's strengths, whether personal or literary, and bracingly clear-sighted on his flaws. The result is a book that's moving, surprising (Wallace voted for Reagan?), and hugely disquieting. If you love Wallace's work, you obviously need to read this book; if you don't love Wallace's work, you especially need to read this book." --Tom Bissell, author of "The Father of All Things
" "A damnably readable, streamlined, yet deeply researched work. Skipping the ancestors and aftermath of conventional biography, Max gives us the man, his work, and his times--the niceties of which (so complicated, so exquisitely intertwined) Max articulates with, well, Wallace-like lucidity and wit. Above all this is the story of a touching young man who insisted on being something better than simply the smartest person in the room." --Bl

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