Chapter 1: Toward a Definition of Ekphrasis in Literature and
Film
Chapter 2:Methodology
Chapter 3: Goya’s Sleep of Reason in Poetry, Drama and Film:
Dramatizing the Artist’s Battle with his Creatures
Chapter 4: Goya’s Sleep of Reason in Lion Feuchtwanger’s Novel and
Konrad Wolf’s Film Adaptation: Private or Social Demons?
Chapter 5: From Screenplay to Film: Rembrandt’s Self-Portraits and
Social Identity Construction through Ekphrasis Chapter 6: Vermeer’s
Women in Film and Fiction: Ekphrasis and Gendered Structures of
Vision
Chapter 7: Conclusion: The Cerebral and the Affective Function of
Ekphrasis
Works Cited
Filmography
List of Illustrations/Image Credits
Dr. Laura M. Sager Eidt is currently a Visiting Assistant Professor of German, Spanish, and Comparative Literature at the University of Dallas. She received her Ph.D. in Comparative Literature from the University of Texas at Austin. While her current research focuses on interrelations between literature, film, the visual arts, and music, she has also published on East and West German poetry after unification, and connections between German Expressionism and the Spanish Avant-garde.
”Writing and Filming the Painting is a valuable addition to the exponentially growing area of ekphrastic studies” - Erik Martiny, in: English Studies, Vol. 94.6, October 2013 pp. 748-50
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