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This Storm
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The second novel in Ellroy's second 'L.A. Quartet', which began with the publication of Perfidia in 2014.

About the Author

Date- 2003-05-13
James Ellroy was born in Los Angeles in 1948. He is the author of the 'Underworld U.S.A. Trilogy' - American Tabloid, The Cold Six Thousand and Blood's a Rover - and the 'L.A. Quartet' novels, The Black Dahlia, The Big Nowhere,L.A. Confidential andWhite Jazz. He lives in Colorado.

Reviews

Ellroy writes with raw power … James Ellroy writes big … Ellroy is undeniably one of the most influential crime writers of our time. But can the raw energy of his fiction outweigh the disgustingness and balderdash? Yes; if you see his novels as antidotes to the fake sunshine that Los Angeles, via the big screen, has blown in the world’s face for a century.
*The Times*

James Ellroy is one of America’s greatest living crime novelists … This Storm [is] a tangled fever-dream set in 1942 Los Angeles … Good, unclean fun … Ellroy offers a grandiose, Wagnerian vision of wartime LA … Packed with almost every Ellroy obsession under the sun: murder, robbery, rape and torture; small-time corruption and big-time history; sexual intrigue and moral ambivalence; lust, yearning, racism, alcoholism, degeneracy and drug abuse; plastic surgery, prostitution, policemen and paedophilia; scandal, sodomy and sin … I will live and die an Ellroy fanboy.
*Sunday Times*

Ellroy remains one of the most exciting literary stylists in the English language … It’s been five years since the last novel from the self-described “Demon Dog” of American letters, but it’s worth the wait. Like all good jazzmen, Ellroy works very hard indeed to make his music flow so easily.
*Guardian*

James Ellroy writes coarse, prurient, paranoid novels that often turn out to be masterpieces ... Truffling for atrocities in the dirty reality of crime seems to inspire him with a demonic energy that his distinctive telegraphic style is the perfect instrument to convey … There are some terrific stretches – including an account of the “Battle of Los Angeles”, the night in 1942 when a mass delusion arose that the city was under aerial attack – that ranks among his best setpieces.
*Daily Telegraph*

Ellroy has never been a five-pages-before-bed kind of writer; his vision is more the fever dream after lights out.
*Observer*

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