Table of Contents

Introduction: What Is Art History? 1. Art before History. 2. The Ancient Near East. 3. Egypt under the Pharaohs. 4. The Prehistoric Aegean. 5. Ancient Greece. 6. The Etruscans. 7. The Roman Empire. 8. Late Antiquity. 9. Byzantium. 10. The Islamic World. 11. Early Medieval Europe. 12. Romanesque Europe. 13. Gothic Europe. 14. Italy, 1200 to 1400.

About the Author

Fred S. Kleiner (Ph.D., Columbia University) is the author or co-author of the 10th, 11th, 12th, 13th, 14th, and 15th editions of GARDNER'S ART THROUGH THE AGES: A GLOBAL HISTORY, as well as the 1st, 2nd, and 3rd editions of GARDNER'S ART THROUGH THE AGES: A CONCISE HISTORY, and more than 100 publications on Greek and Roman art and architecture, including A HISTORY OF ROMAN ART, also published by Cengage. He has taught the art history survey course for more than three decades, first at the University of Virginia and, since 1978, at Boston University, where he is currently professor of art history and archaeology. From 1985 to 1998, he was editor-in-chief of the American Journal of Archaeology. Long acclaimed for his inspiring lectures and dedication to students, Professor Kleiner won Boston University's Metcalf Award for Excellence in Teaching, as well as the College Prize for Undergraduate Advising in the Humanities in 2002, and he is a two-time winner of the Distinguished Teaching Prize in the College of Arts and Sciences Honors Program. In 2007, he was elected fellow of the Society of Antiquaries of London, and, in 2009, in recognition of lifetime achievement in publication and teaching, fellow of the Text and Academic Authors Association.

Reviews

"Gardner's presents a narrative that runs like a thread of unity through the text."

"I examined the options, and found Gardner's to be the best in giving the students the best images and the clearest discussion of both style and historical context."

"What I particularly like about the Gardner is its flexibility for a variety of pedagogical/methodological/thematic approaches, which is due to the depth of its coverage of certain very pivotal figures/moments/issues in western art history."