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The Cambridge Companion to Schubert
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Table of Contents

Notes on the contributors; Chronology; Note to the reader; Acknowledgments; Introduction: the elusive Schubert Christopher H. Gibbs; Part I. Contexts: Musical, Political, and Cultural: 1. Realism transformed: Franz Schubert and Vienna Leon Botstein; 2. 'Poor Schubert': images and legends of the composer Christopher H. Gibbs; 3. 'The passion for friendship': music, cultivation, and identity in Schubert's circle David Gramit; 4. Schubert's inflections of Classical forms Charles Rosen; 5. Schubert and his poets: issues and conundrums Susan Youens; Part II. Schubert's Music: Style and Genre: 6. Schubert's songs: the transformation of a genre Kristina Muxfeldt; 7. Schubert's social music: the 'forgotten genres' Margaret Notley; 8. Schubert's piano music: probing the human condition William Kinderman; 9. Schubert's chamber music: before and after Beethoven Martin Chusid; 10. Schubert's orchestral music: 'strivings after the highest in art' L. Michael Griffel; 11. Schubert's religious and choral music: toward a statement of faith Glenn Stanley; 12. Schubert's operas: 'the judgement of history?' Thomas A. Denny; Part III. Reception: 13. German reception: Schubert's 'journey to immortality' Christopher H. Gibbs; 14. Schubert's reception history in nineteenth-century England John Reed; 15. Schubert's reception in France: a chronology (1828–1928) Xavier Hascher; 16. Franz Schubert's music in performance: a brief history of people, events, and issues David Montgomery; Notes; Index.

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Examines the career, music and reception of one of the most misunderstood and elusive composers.

Reviews

'… it was a pleasure to encounter The Cambridge Companion to Schubert which featured analytical essays on each facet of the composer and his music … It is books like this one that allow readers of today to know Schubert better than those of his own era.' Scenaria

'Like its siblings in this admirable and authoritative series, this book ranges far and wide … this is a book from which no serious Schubertian can fail to derive some benefit.' Piano

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